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syllabus.md
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@ -46,7 +46,7 @@ This is a reading-heavy and reading-forward course. The attachment here is to th
### Course schedule ### Course schedule
#### Week 1: Introductions #### Week 1: Introductions
-> 2024-01-10 2024-01-10
* No guides. * No guides.
* We will discuss this, and other, course documents. * We will discuss this, and other, course documents.
* Scott Richmond, "On the Impersonality of Experience," from _The Oxford Handbook of Film Theory_ * Scott Richmond, "On the Impersonality of Experience," from _The Oxford Handbook of Film Theory_
@ -54,7 +54,7 @@ This is a reading-heavy and reading-forward course. The attachment here is to th
* Stanley Cavell, "Music Discomposed," from _Must We Mean What We Say?_ * Stanley Cavell, "Music Discomposed," from _Must We Mean What We Say?_
#### Week 2: Cinema, or the invention of modern life #### Week 2: Cinema, or the invention of modern life
-> 2024-01-17 2024-01-17
* No guides. Scott demos guiding. * No guides. Scott demos guiding.
* Walter Benjamin, "The Work of Art in the Age of its Technological Reproducibility," "Experience and Poverty," and "On Some Motifs in Baudelaire," from _Walter Benjamin: Selected Writings_ * Walter Benjamin, "The Work of Art in the Age of its Technological Reproducibility," "Experience and Poverty," and "On Some Motifs in Baudelaire," from _Walter Benjamin: Selected Writings_
* Susan Buck-Morss, "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," _October_ 62 (1992). * Susan Buck-Morss, "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," _October_ 62 (1992).
@ -62,14 +62,14 @@ This is a reading-heavy and reading-forward course. The attachment here is to th
* _Screening_: Dziga Vertov, _Man with a Movie Camera_ (USSR, 1929, 68 min.) * _Screening_: Dziga Vertov, _Man with a Movie Camera_ (USSR, 1929, 68 min.)
#### Week 3: The culture industry and the critique of instrumental reason #### Week 3: The culture industry and the critique of instrumental reason
-> 2024-01-24 2024-01-24
* Guides TBD. * Guides TBD.
* Max Horkheimer and Theodor Adorno, "The Concept of Enlightenment" and "Enlightenment as Mass Deception: The Culture Industry," from _Dialectic of Enlightenment_ * Max Horkheimer and Theodor Adorno, "The Concept of Enlightenment" and "Enlightenment as Mass Deception: The Culture Industry," from _Dialectic of Enlightenment_
* Theodor Adorno, "On the Fetish Character in Music and the Regression of Listening," from _The Culture Industry_ * Theodor Adorno, "On the Fetish Character in Music and the Regression of Listening," from _The Culture Industry_
* _Musical listening_: some Western art and pop music: Bach, Beethoven, Glass, Lucier; Donna Summer, Lady Gaga, Chappel Roan (approx. 90 minutes, with discussion) * _Musical listening_: some Western art and pop music: Bach, Beethoven, Glass, Lucier; Donna Summer, Lady Gaga, Chappel Roan (approx. 90 minutes, with discussion)
#### Week 4: Politics and the unconscious #### Week 4: Politics and the unconscious
-> 2024-01-31 2024-01-31
* Guides TBD. * Guides TBD.
* Jacques Lacan, the Mirror Stage essay, from _Écrits_ * Jacques Lacan, the Mirror Stage essay, from _Écrits_
* Jean-Louis Baudry, "Ideological Effects of the Basic Cinematographic Apparatus," _Film Quarterly_ 28.2 (1974-75) * Jean-Louis Baudry, "Ideological Effects of the Basic Cinematographic Apparatus," _Film Quarterly_ 28.2 (1974-75)
@ -79,7 +79,7 @@ This is a reading-heavy and reading-forward course. The attachment here is to th
* _Screening_: Howard Hawks, _Gentlemen Prefer Blondes_ (USA, 1953, 91 mins.) * _Screening_: Howard Hawks, _Gentlemen Prefer Blondes_ (USA, 1953, 91 mins.)
#### Week 5: The cinematic body #### Week 5: The cinematic body
-> 2024-02-07 2024-02-07
* Guides TBD. * Guides TBD.
* Roland Barthes, "Leaving the Movie Theater," from _The Rustle of Language_ * Roland Barthes, "Leaving the Movie Theater," from _The Rustle of Language_
* Frantz Fanon, "The Fact of Blackness," from _Black Skin, White Masks_ * Frantz Fanon, "The Fact of Blackness," from _Black Skin, White Masks_
@ -88,37 +88,37 @@ This is a reading-heavy and reading-forward course. The attachment here is to th
* _Screening_: Kathryn Bigelow, _Strange Days_ (USA, 1995, 145 min.) * _Screening_: Kathryn Bigelow, _Strange Days_ (USA, 1995, 145 min.)
#### Week 6: Writing theoretically #### Week 6: Writing theoretically
-> 2024-02-14 2024-02-14
* No guides. * No guides.
* Wayne Booth, et al., _The Craft of Research_, selections * Wayne Booth, et al., _The Craft of Research_, selections
#### Midterm paper due: March 1, by 11:59pm #### Midterm paper due: March 1, by 11:59pm
#### Week 7: More film theory: Kyle Stevens #### Week 7: More film theory: Kyle Stevens
-> 2024-02-28 2024-02-28
* Guides TBD. * Guides TBD.
#### Week 8: Cont'd #### Week 8: Cont'd
-> 2024-03-06 2024-03-06
* Kyle Stevens, "The Very Thought of Theory" and "The Frame of the Skull," from _The Oxford Handbook of Film Theory_ * Kyle Stevens, "The Very Thought of Theory" and "The Frame of the Skull," from _The Oxford Handbook of Film Theory_
* Zoom visit from Kyle Stevens (Applachian State University) * Zoom visit from Kyle Stevens (Applachian State University)
#### Week 9:The altered spectator: Caetlin Benson-Allott #### Week 9:The altered spectator: Caetlin Benson-Allott
-> 2024-03-13 2024-03-13
* Guides TBD. * Guides TBD.
#### Week 10: Cont'd #### Week 10: Cont'd
-> 2024-03-20 2024-03-20
* Caetlin Benson-Allott, "Contesting the White Gaze: Black Film and Postcinematic Spectatorship" from _The Oxford Handbook of Film Theory_ * Caetlin Benson-Allott, "Contesting the White Gaze: Black Film and Postcinematic Spectatorship" from _The Oxford Handbook of Film Theory_
* Caetlin Benson-Allott, "Introduction: Material Mediations," "Blunt Spectatorship: Inedbriated Poetics in Contemporary US Television," and "Conculsion: Expanding the Scene of the Screen" from _The Stuff of Spectatorship_ * Caetlin Benson-Allott, "Introduction: Material Mediations," "Blunt Spectatorship: Inedbriated Poetics in Contemporary US Television," and "Conculsion: Expanding the Scene of the Screen" from _The Stuff of Spectatorship_
* Zoom visit from Caetlin Benson-Allott (Georgetown University) * Zoom visit from Caetlin Benson-Allott (Georgetown University)
#### Week 11:The subject in technology: Damon Young #### Week 11:The subject in technology: Damon Young
-> 2024-03-27 2024-03-27
* Guides TBD. * Guides TBD.
#### Week 12: Cont'd #### Week 12: Cont'd
-> 2024-04-03 2024-04-03
* Damon Young, "In Defense of Psychoanalytic Film Theory" from _The Oxford Handbook of Film Theory_ * Damon Young, "In Defense of Psychoanalytic Film Theory" from _The Oxford Handbook of Film Theory_
* Damon Young, "Through the Window from _Psycho_ to _Shortbus_" from _Making Sex Public_ * Damon Young, "Through the Window from _Psycho_ to _Shortbus_" from _Making Sex Public_
* Damon Young, "Ironies of Web 2.0," _Post45_ 2 (2019) * Damon Young, "Ironies of Web 2.0," _Post45_ 2 (2019)