diff --git a/syllabus.md b/syllabus.md index 35d6565..b525f94 100644 --- a/syllabus.md +++ b/syllabus.md @@ -96,13 +96,13 @@ This is a reading-heavy and reading-forward course. The attachment here is to th * _Screening_: Dziga Vertov, _Man with a Movie Camera_ (USSR, 1929, 68 min.) #### Week 3: The culture industry and the critique of instrumental reason, 2024-01-24 -* Guides TBD. +* Guides Min, Celina. * Max Horkheimer and Theodor Adorno, "The Concept of Enlightenment" and "Enlightenment as Mass Deception: The Culture Industry," from _Dialectic of Enlightenment_ * Theodor Adorno, "On the Fetish Character in Music and the Regression of Listening," from _The Culture Industry_ * _Musical listening_: some Western art and pop music: Bach, Beethoven, Glass, Lucier; Donna Summer, Lady Gaga, Chapell Roan (approx. 90 minutes, with discussion) #### Week 4: Politics and the unconscious, 2024-01-31 -* Guides TBD. +* Guides Alex, Emily. * Jacques Lacan, the Mirror Stage essay, from _Écrits_ * Jean-Louis Baudry, "Ideological Effects of the Basic Cinematographic Apparatus," _Film Quarterly_ 28.2 (1974-75) * Laura Mulvey, "Visual Pleasure and Narrative Cinema," _Screen_ 16.3 (1975) @@ -111,7 +111,7 @@ This is a reading-heavy and reading-forward course. The attachment here is to th * _Screening_: Howard Hawks, _Gentlemen Prefer Blondes_ (USA, 1953, 91 mins.) #### Week 5: The cinematic body, 2024-02-07 -* Guides TBD. +* Guides Anny, Aza. * Roland Barthes, "Leaving the Movie Theater," from _The Rustle of Language_ * Frantz Fanon, "The Fact of Blackness," from _Black Skin, White Masks_ * Stevens Shaviro, "Film Theory and Visual Fascination," from _The Cinematic Body_ @@ -123,7 +123,7 @@ This is a reading-heavy and reading-forward course. The attachment here is to th * Wayne Booth, et al., _The Craft of Research_, selections #### Week 7: More film theory: Kyle Stevens, 2024-02-28 -* Guides TBD. +* Guides Saffron, Daniela. * Robert Warshow, "The Gangster as Tragic Hero" * Stanley Cavell, "Must We Mean What We Say?" * Mary Ann Doane, "Ideology and the Practice of Sound Editing and Mixing" @@ -138,7 +138,7 @@ This is a reading-heavy and reading-forward course. The attachment here is to th * Zoom visit from Kyle Stevens (Appalachian State University) #### Week 9: The material spectator: Caetlin Benson-Allot, 2024-03-13 -* Guides TBD. +* Guides Veronica, Orrin. * Stuart Hall, "Encoding/Decoding" * Eve Kosofsky Sedgwick, "Paranoid Reading and Reparative Reading" * Vivian Sobchack, "The Scene of the Screen" @@ -151,7 +151,7 @@ This is a reading-heavy and reading-forward course. The attachment here is to th * Zoom visit from Caetlin Benson-Allott (Georgetown University) #### Week 11: The subject in technology: Damon Young, 2024-03-27 -* Guides TBD. +* Guides Cailin, Kat. * Sigmund Freud, "A Child is Being Beaten," _International Journal of Psycho-Analysis_ 1 (1920) * Bela Belasz, "The Close Up" and "The Face of Man," from _Theory of the Film_ (1952) * Michel Foucault, "The Gay Science," _Critical Inquiry_ 37.3 (2011)