Update rumi.txt
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rumi.txt
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@ -7,7 +7,7 @@ When you get bad thoughts
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wash your mind.
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wash your mind.
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and
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and
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Keep your feet muddy.
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Keep your feet muddy.
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—Nanao Sakaki
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Excuse my wandering.
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Excuse my wandering.
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How can one be orderly with this?
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How can one be orderly with this?
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It’s like counting leaves in a garden,
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It’s like counting leaves in a garden,
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@ -68,7 +68,7 @@ or some urgency about “what’s needed.”
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Drink the wine that moves you
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Drink the wine that moves you
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as a camel moves when it’s been untied,
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as a camel moves when it’s been untied,
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and is just ambling about.
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and is just ambling about.
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C O O K E D H E A D S
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COOKED HEADS
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I have been given a glass
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I have been given a glass
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that has the fountain of the sun inside,
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that has the fountain of the sun inside,
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a Friend in both worlds, like the fragrance
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a Friend in both worlds, like the fragrance
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@ -82,10 +82,10 @@ A donkey wanders the sign of Taurus.
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Heroes do not stay lined up in ranks
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Heroes do not stay lined up in ranks
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for very long. I set out for Tabriz,
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for very long. I set out for Tabriz,
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even though my boat is anchored here.
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even though my boat is anchored here.
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WHERE YOU LOVE Look inside and find where a person
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WHERE YOU LOVE FROM
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Look inside and find where a person
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loves from. That’s the reality,
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loves from. That’s the reality,
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not what they say.
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not what they say.
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FROM
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Hypocrites
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Hypocrites
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give attention to form, the right
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give attention to form, the right
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and wrong ways of professing belief.
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and wrong ways of professing belief.
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@ -302,7 +302,7 @@ But some people have imitated them, learned
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a few birdcalls, and gotten prestigious.
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a few birdcalls, and gotten prestigious.
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ZULEIKHA
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ZULEIKHA
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Zuleikha let everything be the name of Joseph,
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Zuleikha let everything be the name of Joseph,
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from celery seed to aloes wood. She loved him
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from celery seed to aloes wood. She loved him
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so much she concealed his name in many phrases,
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so much she concealed his name in many phrases,
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the inner meanings known only to her.
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the inner meanings known only to her.
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@ -343,7 +343,6 @@ We’re this language that tries to say it.
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You’re joy. We’re all the different kinds
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You’re joy. We’re all the different kinds
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of laughing. Any movement or sound
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of laughing. Any movement or sound
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is a profession of faith, as the millstone
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is a profession of faith, as the millstone
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grinding is explaining how it believes
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grinding is explaining how it believes
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in the river! No metaphor can say this,
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in the river! No metaphor can say this,
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but I can’t stop pointing to the beauty.
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but I can’t stop pointing to the beauty.
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@ -408,7 +407,6 @@ The soul: a wide listening sky
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with thousands of candles.
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with thousands of candles.
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When anything is sold, soul gets given
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When anything is sold, soul gets given
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in the cash: people waiting at a door,
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in the cash: people waiting at a door,
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a ladder leaning on a roof, someone
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a ladder leaning on a roof, someone
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climbing down. The market square bright
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climbing down. The market square bright
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with understanding. Listening
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with understanding. Listening
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@ -429,7 +427,7 @@ for green robes has been cut from pure
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absence. You’re the tailor, settled
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absence. You’re the tailor, settled
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among his shop goods, quietly sewing.
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among his shop goods, quietly sewing.
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. Sudden Wholeness
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Sudden Wholeness
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In this love kingdom there’s a windy blowing open of win-
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In this love kingdom there’s a windy blowing open of win-
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dows. Spring! Sounds of talking sprout. There’s a picnic by
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dows. Spring! Sounds of talking sprout. There’s a picnic by
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the river. Identity is music, and poems are rough notations
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the river. Identity is music, and poems are rough notations
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@ -495,7 +493,6 @@ Philosophers have said that we love music
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because it resembles the sphere-sounds
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because it resembles the sphere-sounds
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of union. We’ve been part of a harmony
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of union. We’ve been part of a harmony
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before, so these moments of treble and bass
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before, so these moments of treble and bass
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keep our remembering fresh. But how
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keep our remembering fresh. But how
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does this happen within these dense bodies
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does this happen within these dense bodies
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full of forgetfulness and doubt and
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full of forgetfulness and doubt and
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@ -518,7 +515,6 @@ the bubbles. A more rational man gives advice,
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“You’ll regret doing this. You’re so far
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“You’ll regret doing this. You’re so far
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from the water that by the time you get down
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from the water that by the time you get down
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to gather walnuts, the water will have
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to gather walnuts, the water will have
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carried them away.” He replies, “I’m not
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carried them away.” He replies, “I’m not
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here for walnuts, I want the music
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here for walnuts, I want the music
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they make when they hit.”
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they make when they hit.”
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@ -551,10 +547,10 @@ for fitting the window, or the latch.
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A thousand half-loves
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A thousand half-loves
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must be forsaken to take
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must be forsaken to take
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one whole heart home.
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one whole heart home.
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PATTERN
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PATTERN
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When love itself comes to kiss you,
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When love itself comes to kiss you,
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don’t hold back! When the king goes hunting,
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don’t hold back! When the king goes hunting,
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the forest smiles. Now the king has become
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the forest smiles. Now the king has become
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the place and all the players, prey,
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the place and all the players, prey,
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bystander, bow, arrow, hand and release.
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bystander, bow, arrow, hand and release.
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@ -682,73 +678,6 @@ These words are an alternate
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existence. Hear the passage into
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existence. Hear the passage into
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silence and be that.
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silence and be that.
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A New Life
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As one becomes a lover, duties change to inspirations. Prac-
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tices become dance, poetry, creek music moving along.
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Impossible natural images of transformation appear: candle
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becomes moth; a dry, broken stick breaks into bud. A chick-
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pea becomes its cook (not so impossible, the natural tast-
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ing!). Something enters that spontaneously enjoys itself.
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Finding a purpose for acting is no longer the problem. The
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soul is here for its own joy. Eyes are meant to see things. It’s
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by some grand shift of energy that we know love.
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We have this great love-ache for the ocean and the
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seabirds sewing the hem of her robe. That is the subject
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here. We long for beauty, even as we swim within it.
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Abdul Qadir Gilani describes this region of the heart as a
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baby. Bawa Muhaiyaddeen also speaks of it this way. Some-
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one asked Bawa once what it felt like to be him. He
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answered by closing his eyes and making little kissing
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noises like a baby nursing. In this new life a baby is born
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in the heart. Purity comes and a playfulness, an ease, a
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peace. Gilani says this new heart-baby sometimes talks to
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the soul in dreams. Bawa says that this baby knows the lan-
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guage of God. It understands every voice that floats on the
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wind because it is in unity and compassion. This baby has
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none of the exclusivity of loving, the limits we learn and
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later, hopefully, unlearn from our families (the blood ties),
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our culture, religion, tribe, and nation. Bawa says humanity is “God’s funny family.” That’s how the baby sees.
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I saw this baby come into my father’s eyes in the last
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weeks of his life in . Everyone felt it. My mother died
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(she was sixty-four, lung cancer) on May , . My dad
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died of a stroke on July , , at seventy-two. In the time
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between (fifty-five days), Dad lost all judgmental tenden-
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cies. He met everyone with unconditional love. He would
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go out on any excuse to walk around and talk with
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strangers. He had unlimited time and attention and help-
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fulness for everyone. So beautiful. I see that opening in
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John Seawright’s mother and father too. To hear Rev. Ryan
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Seawright pray outdoors in the wind at a June wedding, as
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I did recently, is about as much as a heart can stand. Bawa
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used to go out rounding, which meant riding in the passen-
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ger’s seat of a car driving very slow and waving to people
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walking on the sidewalk. Sometimes I’d go along. When
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pedestrians would see his face, it was like they were struck
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full-power with one of those old searchlights from Second
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World War airfields. Then they’d recover and wave so ten-
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derly, as to a baby.
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The connecting extends to all living beings. My friend
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Stephan Schwartz tells of an old farmhand who could
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stand at the edge of a field and speak in a soft voice to a
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particular cow a couple of hundred yards away, “Number
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forty-seven.” That cow, who needed attention from a vet,
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would detach from the herd and walk over. Pleasant (the
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man’s name) would talk to the cow, looking in her face,
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about what needed to be done, how it would hurt but that
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it was for the best. The cow would then patiently endure
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what needed to be done, and he’d say, “That’s good. Go on
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back now.” Then he’d call another one, “Number twenty-
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four.” Stephan swears that he was present many times when
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this happened.
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Bawa went into the jungles of Sri Lanka for fifty years
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to watch the animals and learn about God. When your
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heart dissolves in this love, books are beside the point. We
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learn from the taste of life events. Jelaluddin Chelebi once
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asked me what religion I was. I threw up my hands in the
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who knows gesture. “Good,” he said. “Love is the religion,
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and the universe is the book.”
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ESCAPING TO THE FOREST
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ESCAPING TO THE FOREST
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Some souls have gotten free of their bodies.
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Some souls have gotten free of their bodies.
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Do you see them? Open your eyes for those
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Do you see them? Open your eyes for those
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@ -954,7 +883,7 @@ The light changes.
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I need more grace
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I need more grace
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than I thought.
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than I thought.
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T H E P U R P O S E O F E M O T I O N
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The purpose of emotion
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A certain Sufi tore his robe in grief,
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A certain Sufi tore his robe in grief,
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and the tearing brought such relief he gave the robe
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and the tearing brought such relief he gave the robe
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the name faraji, which means ripped open,
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the name faraji, which means ripped open,
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@ -976,66 +905,6 @@ Give back better, as rough clods return
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an ear of corn, a tassel, a barley
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an ear of corn, a tassel, a barley
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awn, this sleek handful of oats.
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awn, this sleek handful of oats.
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. Tavern Madness
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There is an overwhelming contact with the divine called
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drunkenness. The tavern is a place of shared mystical experi-
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ence as opposed to the church with its tradition of received,
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and sometimes unquestioned, belief (though churches can
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sometimes turn into taverns). The tavern is an excited
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region where one is out of one’s mind, with others. The
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wine there is not an Australian merlot, but the shared sense
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of presence flowing through. The top of one’s head blows.
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Majnun, the mad lover, sees Layla’s dog and faints.
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The tavern is no place one can live. Go to night
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prayers, then home. It is a state of stunned surrender that
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will eventually be left behind for the clarity of dawn. The
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tavern mystic must go “beyond the drunkenness of God’s
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overwhelming and come to the clarity of sobriety, where
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contemplation is restored.” In the tavern one is absent and
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present at the same time. Junnaiyd says there is a sobriety
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that contains all drunkenness, but there is no drunkenness
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that contains all sobriety. In this region there’s flailing
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about, sudden insight, physical danger, and miscommuni-
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cation. Move, make a mistake. Checkmate. And the veils
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become fascinating here with their woven designs, the tap-
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estries depicting long passionate stories about the hurt of
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separation, the consuming intensity of desire, love in the
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Western world.
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Thich Nhat Hanh tells a wonderful story in his com-
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mentaries on the Buddha’s Heart Sutra about how the
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opposites of good and evil only seem to oppose each other.
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He shows how they are actually great buddies who meet in
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the heart’s tavern.
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One day Buddha was in his cave, and Ananda, Buddha’s assis-
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tant, was standing near the entrance. Suddenly he saw Mara,
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the evil one, coming. Mara walked straight to Ananda and
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told him to announce his visit to Buddha.
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Ananda said, “Why have you come here? You were
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defeated by Buddha under the Bodhi tree. Go away! You are
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his enemy!”
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Mara began to laugh. “Did you say that your teacher has
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told you that he has enemies?” That made Ananda very
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embarrassed. He went in to announce Mara to Buddha.
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“Is it true? Is he really here?” Buddha went out in person
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to greet Mara. He bowed and took his hands in the warmest
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way. “How have you been? Is everything all right?”
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After they sat down to tea, Mara said, “Things are not
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going well at all. I am tired of being a Mara. You have to talk in
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riddles, and if you do anything, you have to be tricky and look
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evil. I’m tired of all that. But the worst part is my disciples.
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Now they are talking about social justice, peace, equality, lib-
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eration, nonduality, nonviolence, all that. It would be better if I
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hand them all over to you. I want to be something else.”
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Buddha listened with compassion. “Do you think it’s fun
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being a Buddha? My disciples put words in my mouth that I
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never said. They build garish temples. They package my
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teachings as items for commerce. Mara, you don’t really want
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to be a Buddha!”
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Ananda continued to be puzzled and amazed by their
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conversation. The beautiful wholeness of it cannot be
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accepted by the mind.
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I am a glass of wine with dark sediment.
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I am a glass of wine with dark sediment.
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I pour it all in the river.
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I pour it all in the river.
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Love says to me, “Good, but you don’t see
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Love says to me, “Good, but you don’t see
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he wanted her! And she was not unwilling.
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he wanted her! And she was not unwilling.
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They fell to, on the ground. You’ve seen a baker
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They fell to, on the ground. You’ve seen a baker
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rolling dough. He kneads it gently at first,
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rolling dough. He kneads it gently at first,
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then more roughly. He pounds it on the board.
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then more roughly. He pounds it on the board.
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It softly groans under his palms.
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It softly groans under his palms.
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Now he spreads
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Now he spreads
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@ -1607,7 +1475,6 @@ with clothes, he holds up some flaps and edges. She sees
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his testicles and penis so wet,
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his testicles and penis so wet,
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semen still dribbling out,
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semen still dribbling out,
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spurts of jism and vaginal juices
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spurts of jism and vaginal juices
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drenching the thighs
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drenching the thighs
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of the maid.
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of the maid.
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The wife slaps him
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The wife slaps him
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its body over it, like a bride her husband
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its body over it, like a bride her husband
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for a cover to keep her warm.
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for a cover to keep her warm.
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THE DOG
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THE DOG PROBLEM
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Now, what if a dog’s owner
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Now, what if a dog’s owner
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were not able to control it?
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were not able to control it?
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PROBLEM
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A poor dervish might appear: the dog storms out.
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A poor dervish might appear: the dog storms out.
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The dervish says, “I take refuge with God
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The dervish says, “I take refuge with God
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when the dog of arrogance attacks,”
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when the dog of arrogance attacks,”
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Here is a story of a young prince who suddenly sees
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Here is a story of a young prince who suddenly sees
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that the ambitious world is a big game
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that the ambitious world is a big game
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of king of the mountain, a boy scrambling up
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of king of the mountain, a boy scrambling up
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a pile of sand to call out, “I am king.”
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a pile of sand to call out, “I am king.”
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Then another throws him off to make his momentary
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Then another throws him off to make his momentary
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claim, then another and so on.
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claim, then another and so on.
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@ -2004,7 +1869,6 @@ with Babylonian magic, so that he leaves
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his bride at the wedding, and for a year
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his bride at the wedding, and for a year
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he kisses the sole of her Kabulian shoe.
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he kisses the sole of her Kabulian shoe.
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Everyone weeps for him, while he laughs
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Everyone weeps for him, while he laughs
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in his ignorance. His father the king prays
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in his ignorance. His father the king prays
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constantly, Lord! Lord, and because of that
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constantly, Lord! Lord, and because of that
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surrendered calling out, a master comes
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surrendered calling out, a master comes
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@ -2132,6 +1996,7 @@ the lover is a veil,
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but when living itself
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but when living itself
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becomes the Friend,
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becomes the Friend,
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lovers disappear.
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lovers disappear.
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KING, THE HANDMAIDEN AND THE DOCTOR
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KING, THE HANDMAIDEN AND THE DOCTOR
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Do you know why your soul-mirror
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Do you know why your soul-mirror
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does not reflect as clearly as it might?
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does not reflect as clearly as it might?
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@ -2313,7 +2178,7 @@ Keep knocking, and the joy inside
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will eventually open a window
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will eventually open a window
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and look out to see who’s there.
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and look out to see who’s there.
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THE GENERATIONS
|
THE GENERATIONS I PRAISE
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Yesterday the beauty of early dawn
|
Yesterday the beauty of early dawn
|
||||||
came over me, and I wondered who
|
came over me, and I wondered who
|
||||||
my heart would reach toward. Then
|
my heart would reach toward. Then
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||||||
|
@ -2323,13 +2188,11 @@ ground move me mightily because
|
||||||
they’re pregnant with love, love
|
they’re pregnant with love, love
|
||||||
pregnant with God. These are the
|
pregnant with God. These are the
|
||||||
early morning generations I praise.
|
early morning generations I praise.
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||||||
I PRAISE
|
ONE SWAYING BEING
|
||||||
ONE SWAYING
|
|
||||||
Love is not condescension, never
|
Love is not condescension, never
|
||||||
that, nor books, nor any marking
|
that, nor books, nor any marking
|
||||||
on paper, nor what people say of
|
on paper, nor what people say of
|
||||||
each other. Love is a tree with
|
each other. Love is a tree with
|
||||||
BEING
|
|
||||||
branches reaching into eternity
|
branches reaching into eternity
|
||||||
and roots set deep in eternity,
|
and roots set deep in eternity,
|
||||||
and no trunk! Have you seen it?
|
and no trunk! Have you seen it?
|
||||||
|
@ -2346,7 +2209,7 @@ Shams Tabriz, the secret of God.
|
||||||
Held like this, to draw in milk,
|
Held like this, to draw in milk,
|
||||||
no will, tasting clouds of milk,
|
no will, tasting clouds of milk,
|
||||||
never so content.
|
never so content.
|
||||||
HANGOVER MORSE
|
HANGOVER REMORSE
|
||||||
Muhammad said, “Three kinds of people
|
Muhammad said, “Three kinds of people
|
||||||
are particularly pathetic. The powerful man
|
are particularly pathetic. The powerful man
|
||||||
out of power, the rich man with no money,
|
out of power, the rich man with no money,
|
||||||
|
@ -2383,13 +2246,7 @@ the world is too full to talk about.
|
||||||
Ideas, language, even the phrase each other,
|
Ideas, language, even the phrase each other,
|
||||||
doesn’t make any sense.
|
doesn’t make any sense.
|
||||||
|
|
||||||
. Die Before You Die
|
Die Before You Die
|
||||||
Death is key to this drastic change described in the last
|
|
||||||
section. When we know in some deeply certain way that
|
|
||||||
we are going to die, we move toward surrender more
|
|
||||||
quickly. It is life’s huge riddle, that we must die before we
|
|
||||||
die, this dissolving into the heart. We shall certainly be
|
|
||||||
changed in death, if not before.
|
|
||||||
Judge a moth by the beauty of its candle.
|
Judge a moth by the beauty of its candle.
|
||||||
Shams is invisible because he is inside sight.
|
Shams is invisible because he is inside sight.
|
||||||
He is the intelligent essence
|
He is the intelligent essence
|
||||||
|
@ -2493,32 +2350,6 @@ as the moon sometimes does for the sun.
|
||||||
Be a full bucket pulled up the dark way
|
Be a full bucket pulled up the dark way
|
||||||
of a well, then lifted out into light.
|
of a well, then lifted out into light.
|
||||||
|
|
||||||
. Harsh Evidence
|
|
||||||
For Kharraqani and his wife love is conflict, necessary opposi-
|
|
||||||
tion. Two armies set the battle lines, a black flag here, a
|
|
||||||
white flag there, then something happens between them.
|
|
||||||
The Red Sea roars over both. Kharraqani’s bossy wife is
|
|
||||||
right for him. The heat of their being together gets a
|
|
||||||
spring unfrozen and flowing again.
|
|
||||||
In this region love is a courtroom where harsh evidence
|
|
||||||
must be brought in. Faithfulness must turn to betrayal and
|
|
||||||
betrayal into trust before any human being can become
|
|
||||||
part of the truth. Surely love is a big part of the truth we’re
|
|
||||||
here to live.
|
|
||||||
There’s an ordeal, some anguish and suffering, essential
|
|
||||||
to a soul’s growing into deeper love. Life must be lived.
|
|
||||||
One definition of Sufism is joy at sudden disappointment. The
|
|
||||||
Sufis know that precisely the right disaster comes at the
|
|
||||||
right moment to break us open to the helplessness that an
|
|
||||||
opening of the heart requires. This is harsh truth, but the
|
|
||||||
truth. Love grows near truthfulness, and fades when words
|
|
||||||
are tinged with lying. Love grows from the ruins of person-
|
|
||||||
ality. There are heart-regions that one does not enter will-
|
|
||||||
ingly, or knowingly, and that one actively tries to avoid
|
|
||||||
reentering. I don’t use it much, and know very little about
|
|
||||||
it, but the word karma may belong here, along with Auden’s
|
|
||||||
stanza,
|
|
||||||
|
|
||||||
O stand, stand at the window
|
O stand, stand at the window
|
||||||
As the tears scald and start;
|
As the tears scald and start;
|
||||||
You shall love your crooked neighbor
|
You shall love your crooked neighbor
|
||||||
|
@ -2600,7 +2431,7 @@ If you could untie your wings
|
||||||
and free your soul of jealousy,
|
and free your soul of jealousy,
|
||||||
you and everyone around you
|
you and everyone around you
|
||||||
would fly up like doves.
|
would fly up like doves.
|
||||||
WHEN WORDS ARE TINGED WITH
|
WHEN WORDS ARE TINGED WITH LYING
|
||||||
Muhammad gave this indication of how to know
|
Muhammad gave this indication of how to know
|
||||||
what’s real. “When you feel
|
what’s real. “When you feel
|
||||||
a peaceful joy, you’re near the truth.
|
a peaceful joy, you’re near the truth.
|
||||||
|
@ -2609,7 +2440,6 @@ then what you do seems pretentious
|
||||||
and those around you insincere.
|
and those around you insincere.
|
||||||
Speak the clearest truth you know,
|
Speak the clearest truth you know,
|
||||||
and let the uneasiness heal.”
|
and let the uneasiness heal.”
|
||||||
LYING
|
|
||||||
When words are tinged with lying,
|
When words are tinged with lying,
|
||||||
they’re like water dripping into an oil lamp.
|
they’re like water dripping into an oil lamp.
|
||||||
The wick won’t light, and the pleasure
|
The wick won’t light, and the pleasure
|
||||||
|
@ -2636,7 +2466,6 @@ the same. There you are. Whatever anyone
|
||||||
wants or not: political power, injustice,
|
wants or not: political power, injustice,
|
||||||
material possessions, those are your script,
|
material possessions, those are your script,
|
||||||
the handwriting we study. Body, soul,
|
the handwriting we study. Body, soul,
|
||||||
|
|
||||||
shadow. Whether reckless or careful,
|
shadow. Whether reckless or careful,
|
||||||
you are what we do. It’s absurd to ask
|
you are what we do. It’s absurd to ask
|
||||||
your pardon. You’re inside repentance,
|
your pardon. You’re inside repentance,
|
||||||
|
@ -2724,19 +2553,6 @@ in the firmness under you.
|
||||||
How is it with this love,
|
How is it with this love,
|
||||||
I see your world and not you?
|
I see your world and not you?
|
||||||
|
|
||||||
. Love Dogs
|
|
||||||
The Sufis feel that dogs are our teachers with their faithful-
|
|
||||||
ness, their humility, and their bounding, unqualified wel-
|
|
||||||
come when we come home. The wordless intimacy of how
|
|
||||||
we are with those beings teaches us to give ourselves
|
|
||||||
wholeheartedly.
|
|
||||||
There’s a Saturday Night Live sketch with John Lithgow
|
|
||||||
as a Catholic priest hearing confession from actual dogs. A
|
|
||||||
voice off-camera speaks for the dogs, “Father, I have barked
|
|
||||||
at cats late at night. I have turned over a garbage can and
|
|
||||||
eaten chicken bones.” But Lithgow’s face is so close to their
|
|
||||||
faces and his intoning such, that the dogs begin to bark
|
|
||||||
with the fun of it. It’s hilarious, us forgiving them.
|
|
||||||
THE OCEAN SURGE
|
THE OCEAN SURGE
|
||||||
I want to be in such passionate adoration
|
I want to be in such passionate adoration
|
||||||
that my tent gets pitched against the sky!
|
that my tent gets pitched against the sky!
|
||||||
|
|
Loading…
Reference in New Issue
Block a user