Update rumi.txt
This commit is contained in:
parent
3f1b88cf17
commit
f53fc3530d
75
rumi.txt
75
rumi.txt
|
@ -595,14 +595,13 @@ sign that you’ve died.
|
||||||
Your old life was a frantic running
|
Your old life was a frantic running
|
||||||
from silence.
|
from silence.
|
||||||
The speechless full moon comes out now.
|
The speechless full moon comes out now.
|
||||||
S O M E K I S S W E There is some kiss we want
|
SOME KISS WE WANT
|
||||||
|
There is some kiss we want
|
||||||
with our whole lives, the touch
|
with our whole lives, the touch
|
||||||
of spirit on the body. Seawater
|
of spirit on the body. Seawater
|
||||||
begs the pearl to break its shell.
|
begs the pearl to break its shell.
|
||||||
And the lily, how passionately
|
And the lily, how passionately
|
||||||
it needs some wild darling!
|
it needs some wild darling!
|
||||||
W A N T
|
|
||||||
|
|
||||||
At night, I open the window and ask
|
At night, I open the window and ask
|
||||||
the moon to come and press its
|
the moon to come and press its
|
||||||
face against mine.
|
face against mine.
|
||||||
|
@ -683,7 +682,7 @@ These words are an alternate
|
||||||
existence. Hear the passage into
|
existence. Hear the passage into
|
||||||
silence and be that.
|
silence and be that.
|
||||||
|
|
||||||
. A New Life
|
A New Life
|
||||||
As one becomes a lover, duties change to inspirations. Prac-
|
As one becomes a lover, duties change to inspirations. Prac-
|
||||||
tices become dance, poetry, creek music moving along.
|
tices become dance, poetry, creek music moving along.
|
||||||
Impossible natural images of transformation appear: candle
|
Impossible natural images of transformation appear: candle
|
||||||
|
@ -776,7 +775,7 @@ rising up. Today I recognized that that
|
||||||
jewel-like beauty is the presence, our loving
|
jewel-like beauty is the presence, our loving
|
||||||
confusion, the glow in which watery clay gets
|
confusion, the glow in which watery clay gets
|
||||||
brighter than fire, the one we call the Friend.
|
brighter than fire, the one we call the Friend.
|
||||||
N A S U H ’ S C H A N G I N G
|
NASUH'S CHANGING
|
||||||
At that moment his spirit grows wings and lifts.
|
At that moment his spirit grows wings and lifts.
|
||||||
His ego falls like a battered wall.
|
His ego falls like a battered wall.
|
||||||
He unites with God, alive,
|
He unites with God, alive,
|
||||||
|
@ -828,7 +827,7 @@ the poem again so he can play.
|
||||||
There is
|
There is
|
||||||
no end to anything round.
|
no end to anything round.
|
||||||
|
|
||||||
T H E D E A T H O F S A L A D I N
|
THE DEATH OF ALADIN
|
||||||
You left ground and sky weeping,
|
You left ground and sky weeping,
|
||||||
mind and soul full of grief.
|
mind and soul full of grief.
|
||||||
No one can take your place in existence
|
No one can take your place in existence
|
||||||
|
@ -913,7 +912,7 @@ How do they learn that?
|
||||||
They fall, and falling,
|
They fall, and falling,
|
||||||
they’re given wings.
|
they’re given wings.
|
||||||
|
|
||||||
I T H R O W I T A L L A W A Y
|
I THROW IT ALL
|
||||||
You play with the great globe of union,
|
You play with the great globe of union,
|
||||||
you that see everyone so clearly
|
you that see everyone so clearly
|
||||||
and cannot be seen. Even universal
|
and cannot be seen. Even universal
|
||||||
|
@ -1058,8 +1057,7 @@ In the blackness those friends keep arguing.
|
||||||
Like a wanderer with no face.
|
Like a wanderer with no face.
|
||||||
Like the most powerful bird in existence
|
Like the most powerful bird in existence
|
||||||
sitting on its perch, refusing to move.
|
sitting on its perch, refusing to move.
|
||||||
|
I'M NOT SAYING THIS RIGHT
|
||||||
I ’ M N O T S A Y I N G T H I S R I G H T
|
|
||||||
You bind me, and I tear away in a rage
|
You bind me, and I tear away in a rage
|
||||||
to open out into air, a round
|
to open out into air, a round
|
||||||
brightness, a candlepoint,
|
brightness, a candlepoint,
|
||||||
|
@ -1076,7 +1074,8 @@ A disbeliever hides disbelief,
|
||||||
but I will say his secret.
|
but I will say his secret.
|
||||||
More and more awake, getting up at night,
|
More and more awake, getting up at night,
|
||||||
spinning and falling in love with Shams.
|
spinning and falling in love with Shams.
|
||||||
W H O S A Y S W O R D S W I T H M Y Who looks out with my eyes? What is
|
WHO SAYS WORDS WITH MY
|
||||||
|
Who looks out with my eyes? What is
|
||||||
the soul? I cannot stop asking.
|
the soul? I cannot stop asking.
|
||||||
If I could taste one sip of an answer,
|
If I could taste one sip of an answer,
|
||||||
I could break out of this prison for drunks.
|
I could break out of this prison for drunks.
|
||||||
|
@ -1634,7 +1633,7 @@ comes with being inside the pleasure.
|
||||||
Whatever you say about mysteries,
|
Whatever you say about mysteries,
|
||||||
I know or I don’t know, both are close
|
I know or I don’t know, both are close
|
||||||
to being true. Neither is quite a lie.
|
to being true. Neither is quite a lie.
|
||||||
W H AT H U R T S T H E S O U L ?
|
WHAT HURTS THE SOUL
|
||||||
We tremble, thinking we’re about to dissolve
|
We tremble, thinking we’re about to dissolve
|
||||||
into nonexistence, but nonexistence
|
into nonexistence, but nonexistence
|
||||||
fears even more that it might be given human form!
|
fears even more that it might be given human form!
|
||||||
|
@ -1655,7 +1654,8 @@ from the mystery tell us things.
|
||||||
Love is the mother. We are her children.
|
Love is the mother. We are her children.
|
||||||
She shines inside us, visible-invisible,
|
She shines inside us, visible-invisible,
|
||||||
as we lose trust or feel it start to grow again.
|
as we lose trust or feel it start to grow again.
|
||||||
H I D D E N Hiding is the hidden purpose
|
HIDDEN
|
||||||
|
Hiding is the hidden purpose
|
||||||
of creation. Bury your seed
|
of creation. Bury your seed
|
||||||
and wait. After you die, all
|
and wait. After you die, all
|
||||||
the thoughts you had will
|
the thoughts you had will
|
||||||
|
@ -1702,10 +1702,10 @@ in the pomegranate flowers.
|
||||||
If you do not come, these do not matter.
|
If you do not come, these do not matter.
|
||||||
If you do come, these do not matter.
|
If you do come, these do not matter.
|
||||||
|
|
||||||
W H O M A K E S Who makes these changes?
|
WHO MAKES
|
||||||
|
Who makes these changes?
|
||||||
I shoot an arrow right.
|
I shoot an arrow right.
|
||||||
It lands left.
|
It lands left.
|
||||||
T H E S E C H A N G E S ?
|
|
||||||
I ride after a deer and find myself
|
I ride after a deer and find myself
|
||||||
chased by a hog.
|
chased by a hog.
|
||||||
I plot to get what I want
|
I plot to get what I want
|
||||||
|
@ -1726,7 +1726,8 @@ Like a pure spirit lying down, pulling
|
||||||
its body over it, like a bride her husband
|
its body over it, like a bride her husband
|
||||||
for a cover to keep her warm.
|
for a cover to keep her warm.
|
||||||
|
|
||||||
T H E D O G Now, what if a dog’s owner
|
THE DOG
|
||||||
|
Now, what if a dog’s owner
|
||||||
were not able to control it?
|
were not able to control it?
|
||||||
PROBLEM
|
PROBLEM
|
||||||
A poor dervish might appear: the dog storms out.
|
A poor dervish might appear: the dog storms out.
|
||||||
|
@ -1798,7 +1799,7 @@ to rid themselves of lying,
|
||||||
who empty the self
|
who empty the self
|
||||||
and have only clear being there.
|
and have only clear being there.
|
||||||
|
|
||||||
T H E S O U L’ S F R I E N D
|
THE SOUL'S FRIEND
|
||||||
Listen to your essential self, the Friend.
|
Listen to your essential self, the Friend.
|
||||||
When you feel longing, be patient,
|
When you feel longing, be patient,
|
||||||
and also prudent, moderate with eating and drinking.
|
and also prudent, moderate with eating and drinking.
|
||||||
|
@ -1857,7 +1858,7 @@ for being human.
|
||||||
In battle, one runs fearing
|
In battle, one runs fearing
|
||||||
for his life. Another, just as scared, turns
|
for his life. Another, just as scared, turns
|
||||||
and fights more fiercely.
|
and fights more fiercely.
|
||||||
A T E A C H E R ’ S PAY
|
A TEACHER'S PAY
|
||||||
God has said Be moderate with eating and drinking,
|
God has said Be moderate with eating and drinking,
|
||||||
but never, Be satisfied when taking in light.
|
but never, Be satisfied when taking in light.
|
||||||
God offers a teacher the treasures of the world,
|
God offers a teacher the treasures of the world,
|
||||||
|
@ -2078,7 +2079,6 @@ compassion for this suffering?” He answers,
|
||||||
“To your eyes this is a drought. To me,
|
“To your eyes this is a drought. To me,
|
||||||
it’s a form of God’s joy. Everywhere
|
it’s a form of God’s joy. Everywhere
|
||||||
in this desert I see green corn growing
|
in this desert I see green corn growing
|
||||||
|
|
||||||
waist-high, a sea-wilderness of young ears
|
waist-high, a sea-wilderness of young ears
|
||||||
greener than leeks. I reach to touch them.
|
greener than leeks. I reach to touch them.
|
||||||
How could I not! You and your friends
|
How could I not! You and your friends
|
||||||
|
@ -2127,12 +2127,12 @@ where one love story changes to another.
|
||||||
I remember that with these words brought here
|
I remember that with these words brought here
|
||||||
by a falcon from the wrist of Shams.
|
by a falcon from the wrist of Shams.
|
||||||
|
|
||||||
T H E If the beloved is everywhere,
|
If the beloved is everywhere,
|
||||||
the lover is a veil,
|
the lover is a veil,
|
||||||
but when living itself
|
but when living itself
|
||||||
becomes the Friend,
|
becomes the Friend,
|
||||||
lovers disappear.
|
lovers disappear.
|
||||||
K I N G , T H E H A N D M A I D E N , A N D T H E D O C TO R
|
KING, THE HANDMAIDEN AND THE DOCTOR
|
||||||
Do you know why your soul-mirror
|
Do you know why your soul-mirror
|
||||||
does not reflect as clearly as it might?
|
does not reflect as clearly as it might?
|
||||||
Because rust has begun to cover it.
|
Because rust has begun to cover it.
|
||||||
|
@ -2313,7 +2313,8 @@ Keep knocking, and the joy inside
|
||||||
will eventually open a window
|
will eventually open a window
|
||||||
and look out to see who’s there.
|
and look out to see who’s there.
|
||||||
|
|
||||||
T H E G E N E R AT I O N S Yesterday the beauty of early dawn
|
THE GENERATIONS
|
||||||
|
Yesterday the beauty of early dawn
|
||||||
came over me, and I wondered who
|
came over me, and I wondered who
|
||||||
my heart would reach toward. Then
|
my heart would reach toward. Then
|
||||||
this morning again and you. Who
|
this morning again and you. Who
|
||||||
|
@ -2323,7 +2324,8 @@ they’re pregnant with love, love
|
||||||
pregnant with God. These are the
|
pregnant with God. These are the
|
||||||
early morning generations I praise.
|
early morning generations I praise.
|
||||||
I PRAISE
|
I PRAISE
|
||||||
O N E S W AY I N G Love is not condescension, never
|
ONE SWAYING
|
||||||
|
Love is not condescension, never
|
||||||
that, nor books, nor any marking
|
that, nor books, nor any marking
|
||||||
on paper, nor what people say of
|
on paper, nor what people say of
|
||||||
each other. Love is a tree with
|
each other. Love is a tree with
|
||||||
|
@ -2344,7 +2346,7 @@ Shams Tabriz, the secret of God.
|
||||||
Held like this, to draw in milk,
|
Held like this, to draw in milk,
|
||||||
no will, tasting clouds of milk,
|
no will, tasting clouds of milk,
|
||||||
never so content.
|
never so content.
|
||||||
H A N G O V E R R E M O R S E
|
HANGOVER MORSE
|
||||||
Muhammad said, “Three kinds of people
|
Muhammad said, “Three kinds of people
|
||||||
are particularly pathetic. The powerful man
|
are particularly pathetic. The powerful man
|
||||||
out of power, the rich man with no money,
|
out of power, the rich man with no money,
|
||||||
|
@ -2358,7 +2360,7 @@ the way he cries out for the majesty
|
||||||
he’s lost,
|
he’s lost,
|
||||||
give me that longing!
|
give me that longing!
|
||||||
|
|
||||||
S O U L , H E A R T, A N D B O DY O N E M O R N I N G
|
SOUL, HEART AND BODY ONE MORNING
|
||||||
There’s a morning where presence comes over you,
|
There’s a morning where presence comes over you,
|
||||||
and you sing like a rooster in your earth-colored shape.
|
and you sing like a rooster in your earth-colored shape.
|
||||||
Your heart hears and, no longer frantic, begins
|
Your heart hears and, no longer frantic, begins
|
||||||
|
@ -2462,7 +2464,6 @@ when you’re beaten, when you hear Checkmate,
|
||||||
and can finally say with Hallaj’s voice,
|
and can finally say with Hallaj’s voice,
|
||||||
I trust you to kill me.
|
I trust you to kill me.
|
||||||
|
|
||||||
I M A D U ’ L - M U L K
|
|
||||||
Remember the story of the king who is so enraged
|
Remember the story of the king who is so enraged
|
||||||
with his close friend that he’s about to kill him!
|
with his close friend that he’s about to kill him!
|
||||||
A privileged intercessor, Imadu’l-Mulk, steps in
|
A privileged intercessor, Imadu’l-Mulk, steps in
|
||||||
|
@ -2530,7 +2531,6 @@ out of love poems is not to tell the full truth. Auden is gay,
|
||||||
too, in all senses, which adds more depths to his cultural
|
too, in all senses, which adds more depths to his cultural
|
||||||
work.
|
work.
|
||||||
|
|
||||||
K H A R R A Q A N I ’ S M A R R I A G E
|
|
||||||
The young seeker wonders, How could a teacher
|
The young seeker wonders, How could a teacher
|
||||||
lie with that woman! Can a guide agree
|
lie with that woman! Can a guide agree
|
||||||
with a thief?
|
with a thief?
|
||||||
|
@ -2566,7 +2566,7 @@ Kiss the snake to discover the treasure!
|
||||||
Don’t run from those who scold,
|
Don’t run from those who scold,
|
||||||
and don’t turn away from cleansing conflict,
|
and don’t turn away from cleansing conflict,
|
||||||
or you will remain weak.
|
or you will remain weak.
|
||||||
T H E S T U P I D T H I N G S I ’ V E D O N E
|
THE STUPID THINGS I'VE DONE
|
||||||
Let your sunlight shine on this piece of dung,
|
Let your sunlight shine on this piece of dung,
|
||||||
and dry it out, so I can be used
|
and dry it out, so I can be used
|
||||||
for fuel to warm a bathhouse.
|
for fuel to warm a bathhouse.
|
||||||
|
@ -2600,7 +2600,8 @@ If you could untie your wings
|
||||||
and free your soul of jealousy,
|
and free your soul of jealousy,
|
||||||
you and everyone around you
|
you and everyone around you
|
||||||
would fly up like doves.
|
would fly up like doves.
|
||||||
W H E N W O R D S A R E T I N G E D W I T H Muhammad gave this indication of how to know
|
WHEN WORDS ARE TINGED WITH
|
||||||
|
Muhammad gave this indication of how to know
|
||||||
what’s real. “When you feel
|
what’s real. “When you feel
|
||||||
a peaceful joy, you’re near the truth.
|
a peaceful joy, you’re near the truth.
|
||||||
Unquiet and off center, jealous or greedy,
|
Unquiet and off center, jealous or greedy,
|
||||||
|
@ -2778,7 +2779,7 @@ No better love than love with no object,
|
||||||
no more satisfying work than work with no purpose.
|
no more satisfying work than work with no purpose.
|
||||||
If you could give up tricks and cleverness,
|
If you could give up tricks and cleverness,
|
||||||
that would be the cleverest trick!
|
that would be the cleverest trick!
|
||||||
A G R E AT W A G O N
|
|
||||||
When I see your face, the stones start spinning!
|
When I see your face, the stones start spinning!
|
||||||
You appear; all studying wanders.
|
You appear; all studying wanders.
|
||||||
I lose my place.
|
I lose my place.
|
||||||
|
@ -2795,7 +2796,8 @@ as spring begins to move
|
||||||
like a great wagon.
|
like a great wagon.
|
||||||
Drive slowly. Some of us
|
Drive slowly. Some of us
|
||||||
walking alongside are lame.
|
walking alongside are lame.
|
||||||
B L A S P H E M Y A N D T H E My soul keeps whispering, “Quickly,
|
BLASPHEMY AND THE
|
||||||
|
My soul keeps whispering, “Quickly,
|
||||||
be a wandering dervish, a salamander
|
be a wandering dervish, a salamander
|
||||||
sitting in its homefire. Walk about
|
sitting in its homefire. Walk about
|
||||||
watching the burning turn to roses.
|
watching the burning turn to roses.
|
||||||
|
@ -2874,7 +2876,8 @@ they’re doing every moment and why.
|
||||||
Submit to love without thinking, as
|
Submit to love without thinking, as
|
||||||
the sun rose this morning recklessly
|
the sun rose this morning recklessly
|
||||||
extinguishing our star-candle minds.
|
extinguishing our star-candle minds.
|
||||||
AYA Z A N D T H E K I N G ’ S One day the king assembled his courtiers,
|
AYAZ AND THE KING'S
|
||||||
|
One day the king assembled his courtiers,
|
||||||
He handed the minister a glowing pearl.
|
He handed the minister a glowing pearl.
|
||||||
“What would you say this is worth?”
|
“What would you say this is worth?”
|
||||||
than a hundred donkeys could carry.”
|
than a hundred donkeys could carry.”
|
||||||
|
@ -2986,7 +2989,7 @@ Shams sails down clods of dirt
|
||||||
from the roof, and we take jobs
|
from the roof, and we take jobs
|
||||||
as doorkeepers for him.
|
as doorkeepers for him.
|
||||||
|
|
||||||
R O S E S U N D E R F O OT
|
ROSE UNDER FOOT
|
||||||
The sound of salaams rising as waves
|
The sound of salaams rising as waves
|
||||||
diminish down in prayer,
|
diminish down in prayer,
|
||||||
hoping for some trace of the one
|
hoping for some trace of the one
|
||||||
|
@ -3014,7 +3017,8 @@ All the learning in books stays put
|
||||||
on the shelf. Poetry, the dear
|
on the shelf. Poetry, the dear
|
||||||
words and images of song, comes down
|
words and images of song, comes down
|
||||||
over me like mountain water.
|
over me like mountain water.
|
||||||
B I R D S O N G F R O M I N S I D E T H E Sometimes a lover of God may faint
|
BIRD SONGS FROM INSIDE
|
||||||
|
Sometimes a lover of God may faint
|
||||||
in the presence. Then the beloved bends
|
in the presence. Then the beloved bends
|
||||||
and whispers in his ear, “Beggar,
|
and whispers in his ear, “Beggar,
|
||||||
spread out your robe. I’ll fill it with gold.
|
spread out your robe. I’ll fill it with gold.
|
||||||
|
@ -3086,7 +3090,7 @@ with dignified authority, we are charlatans.
|
||||||
Or maybe just a goat’s-hair brush in a painter’s hand.
|
Or maybe just a goat’s-hair brush in a painter’s hand.
|
||||||
We have no idea what we are.
|
We have no idea what we are.
|
||||||
|
|
||||||
M O S E S A N D T H E S H E P H E R D
|
MOSES AND THE SHEPERD
|
||||||
Moses heard a shepherd on the road praying,
|
Moses heard a shepherd on the road praying,
|
||||||
“God,
|
“God,
|
||||||
where are you? I want to help you, to fix your shoes
|
where are you? I want to help you, to fix your shoes
|
||||||
|
@ -3211,7 +3215,7 @@ we’ll stay quiet. Whatever
|
||||||
you have understood of us, go and tell that
|
you have understood of us, go and tell that
|
||||||
to the living,
|
to the living,
|
||||||
what we’ve been hiding from them.
|
what we’ve been hiding from them.
|
||||||
T H E O C E A N ’ S M OT I O N
|
THE OCEAN'S MOTION
|
||||||
Love is an ocean. This wide sky,
|
Love is an ocean. This wide sky,
|
||||||
a bit of foam on that.
|
a bit of foam on that.
|
||||||
Restless as Zuleikha
|
Restless as Zuleikha
|
||||||
|
@ -3222,7 +3226,6 @@ everything would freeze and be
|
||||||
still. Instead,
|
still. Instead,
|
||||||
inorganic grains are entering
|
inorganic grains are entering
|
||||||
plants. Plants enter animals;
|
plants. Plants enter animals;
|
||||||
|
|
||||||
animals enter
|
animals enter
|
||||||
spirit, and spirit sacrifices itself
|
spirit, and spirit sacrifices itself
|
||||||
for one breath
|
for one breath
|
||||||
|
|
Loading…
Reference in New Issue
Block a user