Update rumi.txt
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rumi.txt
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rumi.txt
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@ -460,7 +460,7 @@ you can buy hundreds of rose gardens?
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Where, for one seed you get
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Where, for one seed you get
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a whole wilderness? For one weak
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a whole wilderness? For one weak
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breath, the divine wind?
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breath, the divine wind?
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THE MUSIC WE ARE
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THE MUSIC WE ARE
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Did you hear that winter’s over?
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Did you hear that winter’s over?
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The basil and the carnations
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The basil and the carnations
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cannot control their laughter.
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cannot control their laughter.
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@ -490,7 +490,7 @@ Nothing can stay bound or be imprisoned.
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You say, “End this poem here and
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You say, “End this poem here and
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wait for what’s next.” I will. Poems
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wait for what’s next.” I will. Poems
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are rough notations for the music we are.
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are rough notations for the music we are.
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W A L N U T S
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WALNUTS
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Philosophers have said that we love music
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Philosophers have said that we love music
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because it resembles the sphere-sounds
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because it resembles the sphere-sounds
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of union. We’ve been part of a harmony
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of union. We’ve been part of a harmony
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@ -526,7 +526,7 @@ You that come to birth and bring the mysteries,
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your voice-thunder makes us very happy.
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your voice-thunder makes us very happy.
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Roar, lion of the heart,
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Roar, lion of the heart,
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and tear me open!
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and tear me open!
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N O B E T T E R G I F T
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NO BETTER GIFT
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When the ocean comes to you as a lover,
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When the ocean comes to you as a lover,
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marry, at once, quickly,
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marry, at once, quickly,
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for God’s sake!
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for God’s sake!
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@ -551,7 +551,7 @@ for fitting the window, or the latch.
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A thousand half-loves
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A thousand half-loves
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must be forsaken to take
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must be forsaken to take
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one whole heart home.
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one whole heart home.
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P A T T E R N
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PATTERN
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When love itself comes to kiss you,
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When love itself comes to kiss you,
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don’t hold back! When the king goes hunting,
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don’t hold back! When the king goes hunting,
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@ -564,7 +564,7 @@ spiderwebs of smoke and saliva, fragile
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thought-packets. Leave thinking to the one
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thought-packets. Leave thinking to the one
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who gave intelligence. Stop weaving,
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who gave intelligence. Stop weaving,
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and watch how the pattern improves.
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and watch how the pattern improves.
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A U C T I O N
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AUCTION
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As elephants remember India
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As elephants remember India
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perfectly, as mind dissolves,
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perfectly, as mind dissolves,
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as song begins, as the glass
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as song begins, as the glass
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@ -580,7 +580,7 @@ jargon forgotten, and Saladin
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there raising his hand to bid
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there raising his hand to bid
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on the bedraggled boy Joseph!
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on the bedraggled boy Joseph!
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Q U I E T N E S S
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QUIETNESS
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Inside this new love, die.
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Inside this new love, die.
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Your way begins on the other side.
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Your way begins on the other side.
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Become the sky.
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Become the sky.
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@ -595,14 +595,13 @@ sign that you’ve died.
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Your old life was a frantic running
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Your old life was a frantic running
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from silence.
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from silence.
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The speechless full moon comes out now.
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The speechless full moon comes out now.
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S O M E K I S S W E There is some kiss we want
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SOME KISS WE WANT
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There is some kiss we want
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with our whole lives, the touch
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with our whole lives, the touch
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of spirit on the body. Seawater
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of spirit on the body. Seawater
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begs the pearl to break its shell.
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begs the pearl to break its shell.
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And the lily, how passionately
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And the lily, how passionately
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it needs some wild darling!
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it needs some wild darling!
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W A N T
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At night, I open the window and ask
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At night, I open the window and ask
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the moon to come and press its
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the moon to come and press its
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face against mine.
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face against mine.
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@ -610,7 +609,7 @@ Breathe into me. Close
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the language-door and open the love-window.
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the language-door and open the love-window.
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The moon won’t use the door,
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The moon won’t use the door,
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only the window.
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only the window.
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T H E W A T E R W H E E L
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THE WATER WHEEL
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Stay together, friends.
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Stay together, friends.
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Don’t scatter and sleep.
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Don’t scatter and sleep.
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Our friendship is made
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Our friendship is made
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@ -625,7 +624,7 @@ for what it thinks it wants.
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Stay here, quivering with each moment
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Stay here, quivering with each moment
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like a drop of mercury.
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like a drop of mercury.
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B L E S S I N G T H E M A R R I A G E
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BLESSING THE MARRIAGE
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This marriage be wine with halvah,
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This marriage be wine with halvah,
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honey dissolving in milk.
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honey dissolving in milk.
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This marriage be the leaves and fruit
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This marriage be the leaves and fruit
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@ -636,7 +635,7 @@ for us to study. This marriage,
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beauty. This marriage, a moon
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beauty. This marriage, a moon
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in a light blue sky. This marriage,
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in a light blue sky. This marriage,
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this silence, fully mixed with spirit.
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this silence, fully mixed with spirit.
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T W O D A Y S O F S I L E N C E
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TWO DAYS OF SILENCE
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After days of feasting, fast.
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After days of feasting, fast.
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After days of sleeping, stay awake
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After days of sleeping, stay awake
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one night. After these times of bitter
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one night. After these times of bitter
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@ -657,7 +656,7 @@ A little while alone in your room
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will prove more valuable than anything else
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will prove more valuable than anything else
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that could ever be given you.
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that could ever be given you.
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P A S S A G E I N T O S I L E N C E
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PASSAGE INTO SILENCE
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The essence of darkness is light,
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The essence of darkness is light,
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as oil is the essence of this light.
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as oil is the essence of this light.
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You are the origin of all jasmine, narcissi,
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You are the origin of all jasmine, narcissi,
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@ -683,7 +682,7 @@ These words are an alternate
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existence. Hear the passage into
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existence. Hear the passage into
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silence and be that.
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silence and be that.
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. A New Life
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A New Life
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As one becomes a lover, duties change to inspirations. Prac-
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As one becomes a lover, duties change to inspirations. Prac-
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tices become dance, poetry, creek music moving along.
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tices become dance, poetry, creek music moving along.
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Impossible natural images of transformation appear: candle
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Impossible natural images of transformation appear: candle
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@ -750,7 +749,7 @@ asked me what religion I was. I threw up my hands in the
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who knows gesture. “Good,” he said. “Love is the religion,
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who knows gesture. “Good,” he said. “Love is the religion,
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and the universe is the book.”
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and the universe is the book.”
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E S C A P I N G T O T H E F O R E S T
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ESCAPING TO THE FOREST
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Some souls have gotten free of their bodies.
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Some souls have gotten free of their bodies.
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Do you see them? Open your eyes for those
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Do you see them? Open your eyes for those
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who escape to meet with other escapees,
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who escape to meet with other escapees,
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@ -769,14 +768,14 @@ Love puts away the instruments
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and takes off the silk robes. Our nakedness
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and takes off the silk robes. Our nakedness
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together changes me completely.
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together changes me completely.
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A N Y C H A N C E M E E T I N G
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ANY CHANCE MEETING
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In every gathering, in any chance meeting
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In every gathering, in any chance meeting
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on the street, there is a shine, an elegance
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on the street, there is a shine, an elegance
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rising up. Today I recognized that that
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rising up. Today I recognized that that
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jewel-like beauty is the presence, our loving
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jewel-like beauty is the presence, our loving
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confusion, the glow in which watery clay gets
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confusion, the glow in which watery clay gets
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brighter than fire, the one we call the Friend.
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brighter than fire, the one we call the Friend.
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N A S U H ’ S C H A N G I N G
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NASUH'S CHANGING
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At that moment his spirit grows wings and lifts.
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At that moment his spirit grows wings and lifts.
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His ego falls like a battered wall.
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His ego falls like a battered wall.
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He unites with God, alive,
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He unites with God, alive,
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@ -795,7 +794,7 @@ What I say makes me drunk.
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Nightingale, iris, parrot, jasmine,
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Nightingale, iris, parrot, jasmine,
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I speak those languages, along with
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I speak those languages, along with
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the idiom of my longing for Shamsi Tabriz.
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the idiom of my longing for Shamsi Tabriz.
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T H E C I R C L E
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THE CIRCLE
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Is there anything better than selling figs
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Is there anything better than selling figs
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to the fig seller?
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to the fig seller?
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That’s how this is.
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That’s how this is.
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@ -828,7 +827,7 @@ the poem again so he can play.
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There is
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There is
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no end to anything round.
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no end to anything round.
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T H E D E A T H O F S A L A D I N
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THE DEATH OF ALADIN
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You left ground and sky weeping,
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You left ground and sky weeping,
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mind and soul full of grief.
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mind and soul full of grief.
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No one can take your place in existence
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No one can take your place in existence
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@ -851,7 +850,7 @@ trembles and sobs.
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If you know how to weep for human beings,
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If you know how to weep for human beings,
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weep for Saladin.
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weep for Saladin.
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B I R D W I N G S
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BIRD WINGS
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Your grief for what you’ve lost lifts a mirror
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Your grief for what you’ve lost lifts a mirror
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up to where you’re bravely working.
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up to where you’re bravely working.
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Expecting the worst, you look, and instead,
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Expecting the worst, you look, and instead,
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@ -863,7 +862,7 @@ Your deepest presence is in every small
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contracting and expanding,
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contracting and expanding,
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the two as beautifully balanced and coordinated
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the two as beautifully balanced and coordinated
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as birdwings.
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as birdwings.
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T H E S I L E N T A R T I C U L A T I O N O F A F A C E
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THE SILENT ARTICULATION OF A FACE
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Love comes with a knife, not some
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Love comes with a knife, not some
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shy question, and not with fears
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shy question, and not with fears
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for its reputation! I say
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for its reputation! I say
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@ -894,7 +893,7 @@ does night go? I have no more words.
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Let soul speak with the silent
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Let soul speak with the silent
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articulation of a face.
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articulation of a face.
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T H E A L L U R E O F L O V E
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THE ALLURE OF LOVE
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Someone who does not run
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Someone who does not run
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toward the allure of love walks
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toward the allure of love walks
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a road where nothing lives.
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a road where nothing lives.
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@ -902,7 +901,7 @@ But this dove here senses
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the love-hawk floating above
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the love-hawk floating above
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and waits and will not be driven
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and waits and will not be driven
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or scared to safety.
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or scared to safety.
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S K Y- C I R C L E S
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SKY-CIRCLES
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The way of love is not
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The way of love is not
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a subtle argument.
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a subtle argument.
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The door there
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The door there
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@ -913,7 +912,7 @@ How do they learn that?
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They fall, and falling,
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They fall, and falling,
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they’re given wings.
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they’re given wings.
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I T H R O W I T A L L A W A Y
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I THROW IT ALL
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You play with the great globe of union,
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You play with the great globe of union,
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you that see everyone so clearly
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you that see everyone so clearly
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and cannot be seen. Even universal
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and cannot be seen. Even universal
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@ -924,7 +923,7 @@ Spring is a peacock flirting with
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revelation. The rose gardens flame.
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revelation. The rose gardens flame.
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Ocean enters the boat. I throw
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Ocean enters the boat. I throw
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it all away, except this love for Shams.
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it all away, except this love for Shams.
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Y O U R F A C E
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YOUR FACE
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You may be planning departure, as a human soul
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You may be planning departure, as a human soul
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leaves the world taking almost all its sweetness
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leaves the world taking almost all its sweetness
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with it. You saddle your horse.
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with it. You saddle your horse.
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@ -1043,7 +1042,7 @@ Love says to me, “Good, but you don’t see
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your own beauty. I am the wind
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your own beauty. I am the wind
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that mixes in your fire, who stirs
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that mixes in your fire, who stirs
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and brightens, then makes you gutter out.”
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and brightens, then makes you gutter out.”
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S M O K E
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SMOKE
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Don’t listen to anything I say.
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Don’t listen to anything I say.
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I must enter the center of the fire.
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I must enter the center of the fire.
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Fire is my child, but I must
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Fire is my child, but I must
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@ -1058,8 +1057,7 @@ In the blackness those friends keep arguing.
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Like a wanderer with no face.
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Like a wanderer with no face.
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Like the most powerful bird in existence
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Like the most powerful bird in existence
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sitting on its perch, refusing to move.
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sitting on its perch, refusing to move.
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I'M NOT SAYING THIS RIGHT
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I ’ M N O T S A Y I N G T H I S R I G H T
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You bind me, and I tear away in a rage
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You bind me, and I tear away in a rage
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to open out into air, a round
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to open out into air, a round
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brightness, a candlepoint,
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brightness, a candlepoint,
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@ -1076,12 +1074,13 @@ A disbeliever hides disbelief,
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but I will say his secret.
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but I will say his secret.
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More and more awake, getting up at night,
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More and more awake, getting up at night,
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spinning and falling in love with Shams.
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spinning and falling in love with Shams.
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W H O S A Y S W O R D S W I T H M Y Who looks out with my eyes? What is
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WHO SAYS WORDS WITH MY
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Who looks out with my eyes? What is
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the soul? I cannot stop asking.
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the soul? I cannot stop asking.
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If I could taste one sip of an answer,
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If I could taste one sip of an answer,
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I could break out of this prison for drunks.
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I could break out of this prison for drunks.
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M O U T H ?
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MOUTH?
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I didn’t come here of my own accord,
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I didn’t come here of my own accord,
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and I can’t leave that way.
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and I can’t leave that way.
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Whoever brought me here will have to take me home.
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Whoever brought me here will have to take me home.
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@ -1101,7 +1100,7 @@ beneath hurt and grief
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disappears into emptiness
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disappears into emptiness
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with a thousand new disguises.
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with a thousand new disguises.
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A C A P T O W E A R I N B O T H W O R L D S
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A CAP TO WEAR IN BOTH WORLDS
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There is a passion in me that doesn’t
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There is a passion in me that doesn’t
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long for anything from another human being.
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long for anything from another human being.
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I was given something else, a cap to wear
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I was given something else, a cap to wear
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@ -1122,7 +1121,7 @@ of birds flying,
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each particle circulating on its own.
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each particle circulating on its own.
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Is the one I love everywhere?
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Is the one I love everywhere?
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F R I N G E
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FRINGE
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You wreck my shop and my house and now my heart,
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You wreck my shop and my house and now my heart,
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but how can I run from what gives me life?
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but how can I run from what gives me life?
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I’m weary of personal worrying, in love
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I’m weary of personal worrying, in love
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@ -1140,7 +1139,7 @@ but the police are drunk too.
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People in this town, we love them
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People in this town, we love them
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both like different chess pieces.
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both like different chess pieces.
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T H E A C H E A N D C O N F U S I O N
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THE ACHE AND CONFUSION
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Near the end you saw rose and thorn together,
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Near the end you saw rose and thorn together,
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evening and morning light commingling.
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evening and morning light commingling.
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You have broken many shapes and stirred
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You have broken many shapes and stirred
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@ -1153,7 +1152,7 @@ Let the lover be disgraceful, crazy,
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absentminded. Someone sober
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absentminded. Someone sober
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will worry about things going badly.
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will worry about things going badly.
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Let the lover be.
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Let the lover be.
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W O N D E R W I T H O U T W I L L P O W E R
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WONDER WITHOUT WILLPOWER
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Love’s way becomes a pen sometimes
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Love’s way becomes a pen sometimes
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writing g-sounds like gold or r-sounds
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writing g-sounds like gold or r-sounds
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like tomorrow in different calligraphy
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like tomorrow in different calligraphy
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@ -1174,7 +1173,7 @@ not to be resolved. You are not whole
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or ever complete. You are the wonder
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or ever complete. You are the wonder
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without willpower going where you want.
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without willpower going where you want.
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L I K E L I G H T O V E R T H I S P L A I N
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LIKE LIGHT OVER THIS PLAIN
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A moth flying into the flame says
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A moth flying into the flame says
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with its wingfire, Try this.
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with its wingfire, Try this.
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The wick with its knotted neck broken
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The wick with its knotted neck broken
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@ -1198,7 +1197,7 @@ Everything begs with the silent rocks for you
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to be flung out like light over this plain,
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to be flung out like light over this plain,
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the presence of Shams.
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the presence of Shams.
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C A N D L E L I G H T B E C O M E S M O T H
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CANDLE LIGHT BECOMES MOTH
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Inside a lover’s heart there’s another world,
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Inside a lover’s heart there’s another world,
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and yet another.
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and yet another.
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Inside the Friend of this community
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Inside the Friend of this community
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||||||
|
@ -1209,7 +1208,7 @@ and there are other ladders as we walk
|
||||||
the night hearing a voice that talks of forgiveness.
|
the night hearing a voice that talks of forgiveness.
|
||||||
Inside Shams’s universe candlelight itself
|
Inside Shams’s universe candlelight itself
|
||||||
becomes a moth to die in his candle.
|
becomes a moth to die in his candle.
|
||||||
T H E B A S K E T O F F R E S H B R E A D
|
THE BASKET OF FRESH BREAD
|
||||||
If you want to learn theory,
|
If you want to learn theory,
|
||||||
talk with theoreticians. That way is oral.
|
talk with theoreticians. That way is oral.
|
||||||
When you learn a craft, practice it.
|
When you learn a craft, practice it.
|
||||||
|
@ -1268,7 +1267,7 @@ be everyone.
|
||||||
When you become that many, you’re nothing.
|
When you become that many, you’re nothing.
|
||||||
Empty.
|
Empty.
|
||||||
|
|
||||||
T H I S T O R T U R E
|
THIS TORTURE
|
||||||
Why should we tell you our love stories
|
Why should we tell you our love stories
|
||||||
when you spill them together like blood in the dirt?
|
when you spill them together like blood in the dirt?
|
||||||
Love is a pearl lost on the ocean floor,
|
Love is a pearl lost on the ocean floor,
|
||||||
|
@ -1289,7 +1288,7 @@ Think that you’re gliding out from the face of a cliff
|
||||||
like an eagle. Think you’re walking
|
like an eagle. Think you’re walking
|
||||||
like a tiger walks by himself in the forest.
|
like a tiger walks by himself in the forest.
|
||||||
You’re most handsome when you’re after food.
|
You’re most handsome when you’re after food.
|
||||||
T H E P U B L I C B A T H
|
THE PUBLIC BATH
|
||||||
Imagine the phenomenal world as a furnace
|
Imagine the phenomenal world as a furnace
|
||||||
heating water for the public bath.
|
heating water for the public bath.
|
||||||
Some people carry baskets of dung
|
Some people carry baskets of dung
|
||||||
|
@ -1324,7 +1323,7 @@ and emptying out of purification.
|
||||||
As the sun dries wet dung to make it
|
As the sun dries wet dung to make it
|
||||||
ready to heat water, so dazzling
|
ready to heat water, so dazzling
|
||||||
sparks fly from the burning filth.
|
sparks fly from the burning filth.
|
||||||
M A S H A L L A H
|
MASHALLAH
|
||||||
There’s someone swaying by your side,
|
There’s someone swaying by your side,
|
||||||
lips that say Mashallah, Mashallah.
|
lips that say Mashallah, Mashallah.
|
||||||
Wonderful. God inside attraction.
|
Wonderful. God inside attraction.
|
||||||
|
@ -1338,7 +1337,7 @@ Say mercy, mercy to the one who guides
|
||||||
your soul, who keeps time.
|
your soul, who keeps time.
|
||||||
Move, make a mistake, look
|
Move, make a mistake, look
|
||||||
up. Checkmate.
|
up. Checkmate.
|
||||||
S P I R I T A N D B O DY
|
SPIRIT AND BODY
|
||||||
Don’t feed both sides of yourself equally.
|
Don’t feed both sides of yourself equally.
|
||||||
The spirit and the body carry different loads
|
The spirit and the body carry different loads
|
||||||
and require different attentions.
|
and require different attentions.
|
||||||
|
@ -1348,7 +1347,7 @@ run loose in the pasture.
|
||||||
Don’t make the body do
|
Don’t make the body do
|
||||||
what the spirit does best, and don’t put a big load
|
what the spirit does best, and don’t put a big load
|
||||||
on the spirit that the body could easily carry.
|
on the spirit that the body could easily carry.
|
||||||
B R E A D M A K I N G
|
BREADMAKING
|
||||||
There was a feast. The king was in his cups.
|
There was a feast. The king was in his cups.
|
||||||
He saw a learned scholar walking by.
|
He saw a learned scholar walking by.
|
||||||
“Bring him in and give him some of this fine wine.”
|
“Bring him in and give him some of this fine wine.”
|
||||||
|
@ -1407,7 +1406,7 @@ but it’s basically the same,
|
||||||
and remember, the way
|
and remember, the way
|
||||||
you make love is the way God will be with you.
|
you make love is the way God will be with you.
|
||||||
|
|
||||||
S E X U A L U R G E N C Y A N D T R U E V I R I L I T Y
|
SEXUAL URGENCY AND TRUE VIRILITY
|
||||||
Someone offhand to the Caliph of Egypt,
|
Someone offhand to the Caliph of Egypt,
|
||||||
“The King of Mosul
|
“The King of Mosul
|
||||||
has a concubine like no other. She looks like this!”
|
has a concubine like no other. She looks like this!”
|
||||||
|
@ -1552,7 +1551,7 @@ The intensity
|
||||||
of the Captain’s libido is less than a husk compared
|
of the Captain’s libido is less than a husk compared
|
||||||
to the Caliph’s nobility in ending the cycle
|
to the Caliph’s nobility in ending the cycle
|
||||||
of sowing lust and reaping secrecy and meanness.
|
of sowing lust and reaping secrecy and meanness.
|
||||||
T W O W AY S O F R U N N I N G
|
TWO WAYS OF RUNNING
|
||||||
A certain man had a jealous wife and a very
|
A certain man had a jealous wife and a very
|
||||||
appealing maidservant.
|
appealing maidservant.
|
||||||
The wife was careful not to leave
|
The wife was careful not to leave
|
||||||
|
@ -1623,7 +1622,7 @@ People who repress desires
|
||||||
often turn, suddenly,
|
often turn, suddenly,
|
||||||
into hypocrites.
|
into hypocrites.
|
||||||
|
|
||||||
C L O S E TO B E I N G T R U E
|
CLOSE TO BEING TRUE
|
||||||
How can we know the divine qualities
|
How can we know the divine qualities
|
||||||
from within? If we know only
|
from within? If we know only
|
||||||
through metaphors, it’s like when
|
through metaphors, it’s like when
|
||||||
|
@ -1634,7 +1633,7 @@ comes with being inside the pleasure.
|
||||||
Whatever you say about mysteries,
|
Whatever you say about mysteries,
|
||||||
I know or I don’t know, both are close
|
I know or I don’t know, both are close
|
||||||
to being true. Neither is quite a lie.
|
to being true. Neither is quite a lie.
|
||||||
W H AT H U R T S T H E S O U L ?
|
WHAT HURTS THE SOUL
|
||||||
We tremble, thinking we’re about to dissolve
|
We tremble, thinking we’re about to dissolve
|
||||||
into nonexistence, but nonexistence
|
into nonexistence, but nonexistence
|
||||||
fears even more that it might be given human form!
|
fears even more that it might be given human form!
|
||||||
|
@ -1655,13 +1654,14 @@ from the mystery tell us things.
|
||||||
Love is the mother. We are her children.
|
Love is the mother. We are her children.
|
||||||
She shines inside us, visible-invisible,
|
She shines inside us, visible-invisible,
|
||||||
as we lose trust or feel it start to grow again.
|
as we lose trust or feel it start to grow again.
|
||||||
H I D D E N Hiding is the hidden purpose
|
HIDDEN
|
||||||
|
Hiding is the hidden purpose
|
||||||
of creation. Bury your seed
|
of creation. Bury your seed
|
||||||
and wait. After you die, all
|
and wait. After you die, all
|
||||||
the thoughts you had will
|
the thoughts you had will
|
||||||
throng around like children.
|
throng around like children.
|
||||||
The heart is the secret inside
|
The heart is the secret inside
|
||||||
I N S I D E
|
INSIDE
|
||||||
the secret. Call the secret
|
the secret. Call the secret
|
||||||
language and never be sure
|
language and never be sure
|
||||||
what you conceal. It’s unsure
|
what you conceal. It’s unsure
|
||||||
|
@ -1702,10 +1702,10 @@ in the pomegranate flowers.
|
||||||
If you do not come, these do not matter.
|
If you do not come, these do not matter.
|
||||||
If you do come, these do not matter.
|
If you do come, these do not matter.
|
||||||
|
|
||||||
W H O M A K E S Who makes these changes?
|
WHO MAKES
|
||||||
|
Who makes these changes?
|
||||||
I shoot an arrow right.
|
I shoot an arrow right.
|
||||||
It lands left.
|
It lands left.
|
||||||
T H E S E C H A N G E S ?
|
|
||||||
I ride after a deer and find myself
|
I ride after a deer and find myself
|
||||||
chased by a hog.
|
chased by a hog.
|
||||||
I plot to get what I want
|
I plot to get what I want
|
||||||
|
@ -1714,7 +1714,7 @@ I dig pits to trap others
|
||||||
and fall in.
|
and fall in.
|
||||||
I should be suspicious
|
I should be suspicious
|
||||||
of what I want.
|
of what I want.
|
||||||
D R O W N I N G
|
DROWNING
|
||||||
What can I say to someone so curled up
|
What can I say to someone so curled up
|
||||||
with wanting, so constricted
|
with wanting, so constricted
|
||||||
in his love? Break your pitcher
|
in his love? Break your pitcher
|
||||||
|
@ -1726,9 +1726,10 @@ Like a pure spirit lying down, pulling
|
||||||
its body over it, like a bride her husband
|
its body over it, like a bride her husband
|
||||||
for a cover to keep her warm.
|
for a cover to keep her warm.
|
||||||
|
|
||||||
T H E D O G Now, what if a dog’s owner
|
THE DOG
|
||||||
|
Now, what if a dog’s owner
|
||||||
were not able to control it?
|
were not able to control it?
|
||||||
P R O B L E M
|
PROBLEM
|
||||||
A poor dervish might appear: the dog storms out.
|
A poor dervish might appear: the dog storms out.
|
||||||
The dervish says, “I take refuge with God
|
The dervish says, “I take refuge with God
|
||||||
when the dog of arrogance attacks,”
|
when the dog of arrogance attacks,”
|
||||||
|
@ -1741,7 +1742,7 @@ This is how animal energy becomes monstrous
|
||||||
and ruins your life’s freshness and beauty.
|
and ruins your life’s freshness and beauty.
|
||||||
Think of taking this dog
|
Think of taking this dog
|
||||||
out to hunt! You’d be the quarry.
|
out to hunt! You’d be the quarry.
|
||||||
Z I K R
|
ZIKR
|
||||||
A naked man jumps in the river, hornets swarming
|
A naked man jumps in the river, hornets swarming
|
||||||
above him. The water is the zikr,
|
above him. The water is the zikr,
|
||||||
remembering, There is no reality but God.
|
remembering, There is no reality but God.
|
||||||
|
@ -1776,7 +1777,7 @@ Take hold the neck. Use a bridle. Be sensible.
|
||||||
Then ride! There is a need for self-denial.
|
Then ride! There is a need for self-denial.
|
||||||
Don’t be contemptuous of old obediences. They help.
|
Don’t be contemptuous of old obediences. They help.
|
||||||
|
|
||||||
T H E C O R E O F M A S C U L I N I T Y
|
THE CORE OF MASCULINITY
|
||||||
The core of masculinity does not derive
|
The core of masculinity does not derive
|
||||||
from being male, nor friendliness
|
from being male, nor friendliness
|
||||||
from those who console.
|
from those who console.
|
||||||
|
@ -1792,13 +1793,13 @@ Pray for a tough instructor
|
||||||
to hear and act and stay within you.
|
to hear and act and stay within you.
|
||||||
We have been busy accumulating solace.
|
We have been busy accumulating solace.
|
||||||
Make us afraid of how we were.
|
Make us afraid of how we were.
|
||||||
C L E A R B E I N G
|
CLEAR BEING
|
||||||
I honor those who try
|
I honor those who try
|
||||||
to rid themselves of lying,
|
to rid themselves of lying,
|
||||||
who empty the self
|
who empty the self
|
||||||
and have only clear being there.
|
and have only clear being there.
|
||||||
|
|
||||||
T H E S O U L’ S F R I E N D
|
THE SOUL'S FRIEND
|
||||||
Listen to your essential self, the Friend.
|
Listen to your essential self, the Friend.
|
||||||
When you feel longing, be patient,
|
When you feel longing, be patient,
|
||||||
and also prudent, moderate with eating and drinking.
|
and also prudent, moderate with eating and drinking.
|
||||||
|
@ -1819,7 +1820,7 @@ Some invitations sound like the fowler’s whistle
|
||||||
to the quail, friendly, but not quite
|
to the quail, friendly, but not quite
|
||||||
how you remember the call of your soul’s Friend.
|
how you remember the call of your soul’s Friend.
|
||||||
|
|
||||||
L O N G I N G
|
LONGING
|
||||||
Longing is the core of mystery.
|
Longing is the core of mystery.
|
||||||
Longing itself brings the cure.
|
Longing itself brings the cure.
|
||||||
The only rule is, Suffer the pain.
|
The only rule is, Suffer the pain.
|
||||||
|
@ -1830,7 +1831,7 @@ The morning wind spreads its fresh smell.
|
||||||
We must get up to take that in,
|
We must get up to take that in,
|
||||||
that wind that lets us live.
|
that wind that lets us live.
|
||||||
Breathe, before it’s gone.
|
Breathe, before it’s gone.
|
||||||
W H AT D R A W S YO U ?
|
WHAT DRAWS YOU?
|
||||||
There are two types on the path, those
|
There are two types on the path, those
|
||||||
who come against their will, the blindly religious,
|
who come against their will, the blindly religious,
|
||||||
and those who obey out of love.
|
and those who obey out of love.
|
||||||
|
@ -1844,7 +1845,7 @@ into whatever draws them to God.
|
||||||
Both are drawn from the source.
|
Both are drawn from the source.
|
||||||
Any motion is from the mover.
|
Any motion is from the mover.
|
||||||
Any love from the beloved.
|
Any love from the beloved.
|
||||||
F E A R
|
FEAR
|
||||||
Everyone can see how they have polished the mirror
|
Everyone can see how they have polished the mirror
|
||||||
of the self, which is done with the longings
|
of the self, which is done with the longings
|
||||||
we’re given.
|
we’re given.
|
||||||
|
@ -1857,7 +1858,7 @@ for being human.
|
||||||
In battle, one runs fearing
|
In battle, one runs fearing
|
||||||
for his life. Another, just as scared, turns
|
for his life. Another, just as scared, turns
|
||||||
and fights more fiercely.
|
and fights more fiercely.
|
||||||
A T E A C H E R ’ S PAY
|
A TEACHER'S PAY
|
||||||
God has said Be moderate with eating and drinking,
|
God has said Be moderate with eating and drinking,
|
||||||
but never, Be satisfied when taking in light.
|
but never, Be satisfied when taking in light.
|
||||||
God offers a teacher the treasures of the world,
|
God offers a teacher the treasures of the world,
|
||||||
|
@ -1867,7 +1868,7 @@ to be rewarded for what he does. A lover wants
|
||||||
only to be in love’s presence, that ocean
|
only to be in love’s presence, that ocean
|
||||||
whose depth will never be known.
|
whose depth will never be known.
|
||||||
|
|
||||||
L O O K I N G I N TO T H E C R E E K
|
LOOKING INTO THE CREEK
|
||||||
The way the soul is with the senses and the intellect
|
The way the soul is with the senses and the intellect
|
||||||
is like a creek.
|
is like a creek.
|
||||||
When desire weeds grow thick,
|
When desire weeds grow thick,
|
||||||
|
@ -1887,7 +1888,7 @@ and it’s lucid dreaming.
|
||||||
The gates made of light
|
The gates made of light
|
||||||
swing open.
|
swing open.
|
||||||
You see in.
|
You see in.
|
||||||
T H E P O L I S H E R
|
THE POLISHER
|
||||||
As everything changes overnight, I praise
|
As everything changes overnight, I praise
|
||||||
the breaking of promises.
|
the breaking of promises.
|
||||||
Whatever love wants,
|
Whatever love wants,
|
||||||
|
@ -1910,7 +1911,7 @@ and separate beings too,
|
||||||
as the polisher melts
|
as the polisher melts
|
||||||
in the mirror’s face.
|
in the mirror’s face.
|
||||||
|
|
||||||
B U R N T K A B O B
|
BURNT KABOB
|
||||||
Last year, I admired the wines. This,
|
Last year, I admired the wines. This,
|
||||||
I’m wandering inside the red world.
|
I’m wandering inside the red world.
|
||||||
Last year, I gazed at the fire,
|
Last year, I gazed at the fire,
|
||||||
|
@ -1932,7 +1933,7 @@ quit being sad. Hear blessings
|
||||||
dropping their blossoms
|
dropping their blossoms
|
||||||
around you. God.
|
around you. God.
|
||||||
|
|
||||||
S I T T I N G I N T H E O R C H A R D
|
SITTING IN THE ORCHARD
|
||||||
A man sits in an orchard, fruit trees full
|
A man sits in an orchard, fruit trees full
|
||||||
and the vines plump. He has his head
|
and the vines plump. He has his head
|
||||||
on his knee; his eyes are closed.
|
on his knee; his eyes are closed.
|
||||||
|
@ -1949,7 +1950,7 @@ We laugh and feel happy or sad over all this.
|
||||||
Try instead to get a scent
|
Try instead to get a scent
|
||||||
of the true orchard. Taste the vineyard
|
of the true orchard. Taste the vineyard
|
||||||
within the vineyard.
|
within the vineyard.
|
||||||
T H E P R I N C E O F K A B U L
|
THE PRINCE OF KABUL
|
||||||
Here is a story of a young prince who suddenly sees
|
Here is a story of a young prince who suddenly sees
|
||||||
that the ambitious world is a big game
|
that the ambitious world is a big game
|
||||||
of king of the mountain, a boy scrambling up
|
of king of the mountain, a boy scrambling up
|
||||||
|
@ -2078,7 +2079,6 @@ compassion for this suffering?” He answers,
|
||||||
“To your eyes this is a drought. To me,
|
“To your eyes this is a drought. To me,
|
||||||
it’s a form of God’s joy. Everywhere
|
it’s a form of God’s joy. Everywhere
|
||||||
in this desert I see green corn growing
|
in this desert I see green corn growing
|
||||||
|
|
||||||
waist-high, a sea-wilderness of young ears
|
waist-high, a sea-wilderness of young ears
|
||||||
greener than leeks. I reach to touch them.
|
greener than leeks. I reach to touch them.
|
||||||
How could I not! You and your friends
|
How could I not! You and your friends
|
||||||
|
@ -2109,7 +2109,7 @@ from under a felt covering. Think how
|
||||||
it will be when the whole thing is open
|
it will be when the whole thing is open
|
||||||
to the air and sunlight! There are
|
to the air and sunlight! There are
|
||||||
mysteries I’m not telling you.
|
mysteries I’m not telling you.
|
||||||
T H E W R I S T
|
THE WRIST
|
||||||
Who are you? The inner vision of consciousness?
|
Who are you? The inner vision of consciousness?
|
||||||
The heart? A sacred half-light, are you that?
|
The heart? A sacred half-light, are you that?
|
||||||
Do you grow gatherings? Are you a friend
|
Do you grow gatherings? Are you a friend
|
||||||
|
@ -2127,12 +2127,12 @@ where one love story changes to another.
|
||||||
I remember that with these words brought here
|
I remember that with these words brought here
|
||||||
by a falcon from the wrist of Shams.
|
by a falcon from the wrist of Shams.
|
||||||
|
|
||||||
T H E If the beloved is everywhere,
|
If the beloved is everywhere,
|
||||||
the lover is a veil,
|
the lover is a veil,
|
||||||
but when living itself
|
but when living itself
|
||||||
becomes the Friend,
|
becomes the Friend,
|
||||||
lovers disappear.
|
lovers disappear.
|
||||||
K I N G , T H E H A N D M A I D E N , A N D T H E D O C TO R
|
KING, THE HANDMAIDEN AND THE DOCTOR
|
||||||
Do you know why your soul-mirror
|
Do you know why your soul-mirror
|
||||||
does not reflect as clearly as it might?
|
does not reflect as clearly as it might?
|
||||||
Because rust has begun to cover it.
|
Because rust has begun to cover it.
|
||||||
|
@ -2313,7 +2313,8 @@ Keep knocking, and the joy inside
|
||||||
will eventually open a window
|
will eventually open a window
|
||||||
and look out to see who’s there.
|
and look out to see who’s there.
|
||||||
|
|
||||||
T H E G E N E R AT I O N S Yesterday the beauty of early dawn
|
THE GENERATIONS
|
||||||
|
Yesterday the beauty of early dawn
|
||||||
came over me, and I wondered who
|
came over me, and I wondered who
|
||||||
my heart would reach toward. Then
|
my heart would reach toward. Then
|
||||||
this morning again and you. Who
|
this morning again and you. Who
|
||||||
|
@ -2322,12 +2323,13 @@ ground move me mightily because
|
||||||
they’re pregnant with love, love
|
they’re pregnant with love, love
|
||||||
pregnant with God. These are the
|
pregnant with God. These are the
|
||||||
early morning generations I praise.
|
early morning generations I praise.
|
||||||
I P R A I S E
|
I PRAISE
|
||||||
O N E S W AY I N G Love is not condescension, never
|
ONE SWAYING
|
||||||
|
Love is not condescension, never
|
||||||
that, nor books, nor any marking
|
that, nor books, nor any marking
|
||||||
on paper, nor what people say of
|
on paper, nor what people say of
|
||||||
each other. Love is a tree with
|
each other. Love is a tree with
|
||||||
B E I N G
|
BEING
|
||||||
branches reaching into eternity
|
branches reaching into eternity
|
||||||
and roots set deep in eternity,
|
and roots set deep in eternity,
|
||||||
and no trunk! Have you seen it?
|
and no trunk! Have you seen it?
|
||||||
|
@ -2344,7 +2346,7 @@ Shams Tabriz, the secret of God.
|
||||||
Held like this, to draw in milk,
|
Held like this, to draw in milk,
|
||||||
no will, tasting clouds of milk,
|
no will, tasting clouds of milk,
|
||||||
never so content.
|
never so content.
|
||||||
H A N G O V E R R E M O R S E
|
HANGOVER MORSE
|
||||||
Muhammad said, “Three kinds of people
|
Muhammad said, “Three kinds of people
|
||||||
are particularly pathetic. The powerful man
|
are particularly pathetic. The powerful man
|
||||||
out of power, the rich man with no money,
|
out of power, the rich man with no money,
|
||||||
|
@ -2358,7 +2360,7 @@ the way he cries out for the majesty
|
||||||
he’s lost,
|
he’s lost,
|
||||||
give me that longing!
|
give me that longing!
|
||||||
|
|
||||||
S O U L , H E A R T, A N D B O DY O N E M O R N I N G
|
SOUL, HEART AND BODY ONE MORNING
|
||||||
There’s a morning where presence comes over you,
|
There’s a morning where presence comes over you,
|
||||||
and you sing like a rooster in your earth-colored shape.
|
and you sing like a rooster in your earth-colored shape.
|
||||||
Your heart hears and, no longer frantic, begins
|
Your heart hears and, no longer frantic, begins
|
||||||
|
@ -2392,7 +2394,7 @@ Judge a moth by the beauty of its candle.
|
||||||
Shams is invisible because he is inside sight.
|
Shams is invisible because he is inside sight.
|
||||||
He is the intelligent essence
|
He is the intelligent essence
|
||||||
of what is everywhere at once, seeing.
|
of what is everywhere at once, seeing.
|
||||||
H U S A M
|
HUSAM
|
||||||
There is a way of passing away from the personal,
|
There is a way of passing away from the personal,
|
||||||
a dying that makes one plural.
|
a dying that makes one plural.
|
||||||
A gnat lights in buttermilk to become nourishment
|
A gnat lights in buttermilk to become nourishment
|
||||||
|
@ -2420,7 +2422,7 @@ they can die. A great soul approaches
|
||||||
Shams. What are you doing here?
|
Shams. What are you doing here?
|
||||||
Answer: What is there to do?
|
Answer: What is there to do?
|
||||||
|
|
||||||
T H AT Q U I C K
|
THAT QUICK
|
||||||
A lover looks at creekwater and wants to be
|
A lover looks at creekwater and wants to be
|
||||||
that quick to fall, to kneel, then all
|
that quick to fall, to kneel, then all
|
||||||
the way down in full prostration.
|
the way down in full prostration.
|
||||||
|
@ -2433,7 +2435,7 @@ in the river! Your shame and fear
|
||||||
are like felt layers covering coldness.
|
are like felt layers covering coldness.
|
||||||
Throw them off, and rush naked
|
Throw them off, and rush naked
|
||||||
into the joy of death.
|
into the joy of death.
|
||||||
E M P T Y B O AT
|
EMPTY BOAT
|
||||||
Some huge work goes on growing.
|
Some huge work goes on growing.
|
||||||
How could one person’s words matter?
|
How could one person’s words matter?
|
||||||
Where you walk heads pop from the ground.
|
Where you walk heads pop from the ground.
|
||||||
|
@ -2448,7 +2450,7 @@ In the slaughterhouse of love they kill only
|
||||||
the best, none of the weak or deformed.
|
the best, none of the weak or deformed.
|
||||||
Don’t run away from this dying.
|
Don’t run away from this dying.
|
||||||
Whoever’s not killed for love is dead meat.
|
Whoever’s not killed for love is dead meat.
|
||||||
I T R U S T YO U
|
I TRUST YOU
|
||||||
The soul is a newly skinned hide, bloody
|
The soul is a newly skinned hide, bloody
|
||||||
and gross. Work on it with manual discipline,
|
and gross. Work on it with manual discipline,
|
||||||
and the bitter tanning acid of grief.
|
and the bitter tanning acid of grief.
|
||||||
|
@ -2462,7 +2464,6 @@ when you’re beaten, when you hear Checkmate,
|
||||||
and can finally say with Hallaj’s voice,
|
and can finally say with Hallaj’s voice,
|
||||||
I trust you to kill me.
|
I trust you to kill me.
|
||||||
|
|
||||||
I M A D U ’ L - M U L K
|
|
||||||
Remember the story of the king who is so enraged
|
Remember the story of the king who is so enraged
|
||||||
with his close friend that he’s about to kill him!
|
with his close friend that he’s about to kill him!
|
||||||
A privileged intercessor, Imadu’l-Mulk, steps in
|
A privileged intercessor, Imadu’l-Mulk, steps in
|
||||||
|
@ -2530,7 +2531,6 @@ out of love poems is not to tell the full truth. Auden is gay,
|
||||||
too, in all senses, which adds more depths to his cultural
|
too, in all senses, which adds more depths to his cultural
|
||||||
work.
|
work.
|
||||||
|
|
||||||
K H A R R A Q A N I ’ S M A R R I A G E
|
|
||||||
The young seeker wonders, How could a teacher
|
The young seeker wonders, How could a teacher
|
||||||
lie with that woman! Can a guide agree
|
lie with that woman! Can a guide agree
|
||||||
with a thief?
|
with a thief?
|
||||||
|
@ -2553,7 +2553,7 @@ and between them something gets settled.
|
||||||
Between Pharaoh and Moses,
|
Between Pharaoh and Moses,
|
||||||
the Red Sea.”
|
the Red Sea.”
|
||||||
|
|
||||||
H A R S H E V I D E N C E
|
HARSH EVIDENCE
|
||||||
What sort of person says that he or she wants
|
What sort of person says that he or she wants
|
||||||
to be polished and pure, then complains
|
to be polished and pure, then complains
|
||||||
about being handled roughly?
|
about being handled roughly?
|
||||||
|
@ -2566,7 +2566,7 @@ Kiss the snake to discover the treasure!
|
||||||
Don’t run from those who scold,
|
Don’t run from those who scold,
|
||||||
and don’t turn away from cleansing conflict,
|
and don’t turn away from cleansing conflict,
|
||||||
or you will remain weak.
|
or you will remain weak.
|
||||||
T H E S T U P I D T H I N G S I ’ V E D O N E
|
THE STUPID THINGS I'VE DONE
|
||||||
Let your sunlight shine on this piece of dung,
|
Let your sunlight shine on this piece of dung,
|
||||||
and dry it out, so I can be used
|
and dry it out, so I can be used
|
||||||
for fuel to warm a bathhouse.
|
for fuel to warm a bathhouse.
|
||||||
|
@ -2576,7 +2576,7 @@ The sun does this with the ground.
|
||||||
Think what glories God can make
|
Think what glories God can make
|
||||||
from the fertilizer of sinning!
|
from the fertilizer of sinning!
|
||||||
|
|
||||||
C A N D L E AT N O O N
|
CANDLE AT NOON
|
||||||
A man is wandering the marketplace at noon
|
A man is wandering the marketplace at noon
|
||||||
with a candle in his hand, totally ecstatic.
|
with a candle in his hand, totally ecstatic.
|
||||||
“Hey,” calls a shopkeeper, “is this a joke?
|
“Hey,” calls a shopkeeper, “is this a joke?
|
||||||
|
@ -2585,14 +2585,14 @@ Who are you looking for?”
|
||||||
“Well, there are plenty to choose from.”
|
“Well, there are plenty to choose from.”
|
||||||
“But I want one who can be in anger and desire
|
“But I want one who can be in anger and desire
|
||||||
and still be a true human being in the same moment.”
|
and still be a true human being in the same moment.”
|
||||||
D E R V I S H E S
|
DERVISHES
|
||||||
When school and mosque and minaret
|
When school and mosque and minaret
|
||||||
get torn down, then dervishes can begin
|
get torn down, then dervishes can begin
|
||||||
their community. Not until faithfulness
|
their community. Not until faithfulness
|
||||||
turns to betrayal and betrayal into trust
|
turns to betrayal and betrayal into trust
|
||||||
can any human being become
|
can any human being become
|
||||||
part of the truth.
|
part of the truth.
|
||||||
D O V E S
|
DOVES
|
||||||
People want you to be happy.
|
People want you to be happy.
|
||||||
Don’t keep serving them your pain!
|
Don’t keep serving them your pain!
|
||||||
|
|
||||||
|
@ -2600,7 +2600,8 @@ If you could untie your wings
|
||||||
and free your soul of jealousy,
|
and free your soul of jealousy,
|
||||||
you and everyone around you
|
you and everyone around you
|
||||||
would fly up like doves.
|
would fly up like doves.
|
||||||
W H E N W O R D S A R E T I N G E D W I T H Muhammad gave this indication of how to know
|
WHEN WORDS ARE TINGED WITH
|
||||||
|
Muhammad gave this indication of how to know
|
||||||
what’s real. “When you feel
|
what’s real. “When you feel
|
||||||
a peaceful joy, you’re near the truth.
|
a peaceful joy, you’re near the truth.
|
||||||
Unquiet and off center, jealous or greedy,
|
Unquiet and off center, jealous or greedy,
|
||||||
|
@ -2608,13 +2609,13 @@ then what you do seems pretentious
|
||||||
and those around you insincere.
|
and those around you insincere.
|
||||||
Speak the clearest truth you know,
|
Speak the clearest truth you know,
|
||||||
and let the uneasiness heal.”
|
and let the uneasiness heal.”
|
||||||
LY I N G
|
LYING
|
||||||
When words are tinged with lying,
|
When words are tinged with lying,
|
||||||
they’re like water dripping into an oil lamp.
|
they’re like water dripping into an oil lamp.
|
||||||
The wick won’t light, and the pleasure
|
The wick won’t light, and the pleasure
|
||||||
of your love room will diminish.
|
of your love room will diminish.
|
||||||
|
|
||||||
T H E R E YO U A R E
|
THERE YOU ARE
|
||||||
You’re inside every kindness. When a sick
|
You’re inside every kindness. When a sick
|
||||||
person feels better, you’re that,
|
person feels better, you’re that,
|
||||||
and the onset of disease too. You’re sudden,
|
and the onset of disease too. You’re sudden,
|
||||||
|
@ -2695,7 +2696,7 @@ to every question. If you want to
|
||||||
live your soul, find a friend
|
live your soul, find a friend
|
||||||
like Shams and stay near.
|
like Shams and stay near.
|
||||||
|
|
||||||
T H E L O O K T H AT O P E N S
|
THE LOOK THAT OPENS
|
||||||
We wait for inspiration and ask no fee,
|
We wait for inspiration and ask no fee,
|
||||||
the feel of sacred ambiance being enough.
|
the feel of sacred ambiance being enough.
|
||||||
So bring your malaise, your dullness,
|
So bring your malaise, your dullness,
|
||||||
|
@ -2703,7 +2704,7 @@ your callous ingratitude.
|
||||||
As we meet you, the coming together itself
|
As we meet you, the coming together itself
|
||||||
will be medicine. We are the cure,
|
will be medicine. We are the cure,
|
||||||
the look that opens your looking.
|
the look that opens your looking.
|
||||||
S T R A W A N D G R A S S E S
|
STRAW AND GRASSES
|
||||||
There is no reality but God, says
|
There is no reality but God, says
|
||||||
the completely surrendered teacher,
|
the completely surrendered teacher,
|
||||||
who is an ocean for all beings.
|
who is an ocean for all beings.
|
||||||
|
@ -2736,7 +2737,7 @@ at cats late at night. I have turned over a garbage can and
|
||||||
eaten chicken bones.” But Lithgow’s face is so close to their
|
eaten chicken bones.” But Lithgow’s face is so close to their
|
||||||
faces and his intoning such, that the dogs begin to bark
|
faces and his intoning such, that the dogs begin to bark
|
||||||
with the fun of it. It’s hilarious, us forgiving them.
|
with the fun of it. It’s hilarious, us forgiving them.
|
||||||
T H E O C E A N S U R G E
|
THE OCEAN SURGE
|
||||||
I want to be in such passionate adoration
|
I want to be in such passionate adoration
|
||||||
that my tent gets pitched against the sky!
|
that my tent gets pitched against the sky!
|
||||||
Let the beloved come and sit
|
Let the beloved come and sit
|
||||||
|
@ -2744,7 +2745,7 @@ like a guard dog in front of the tent.
|
||||||
When the ocean surges, don’t let me
|
When the ocean surges, don’t let me
|
||||||
just hear it. Let it splash inside my chest!
|
just hear it. Let it splash inside my chest!
|
||||||
|
|
||||||
L O V E D O G S
|
LOVE DOGS
|
||||||
One night a man was crying Allah! Allah!
|
One night a man was crying Allah! Allah!
|
||||||
His lips grew sweet with praising,
|
His lips grew sweet with praising,
|
||||||
until a cynic said, “So!
|
until a cynic said, “So!
|
||||||
|
@ -2778,7 +2779,7 @@ No better love than love with no object,
|
||||||
no more satisfying work than work with no purpose.
|
no more satisfying work than work with no purpose.
|
||||||
If you could give up tricks and cleverness,
|
If you could give up tricks and cleverness,
|
||||||
that would be the cleverest trick!
|
that would be the cleverest trick!
|
||||||
A G R E AT W A G O N
|
|
||||||
When I see your face, the stones start spinning!
|
When I see your face, the stones start spinning!
|
||||||
You appear; all studying wanders.
|
You appear; all studying wanders.
|
||||||
I lose my place.
|
I lose my place.
|
||||||
|
@ -2795,7 +2796,8 @@ as spring begins to move
|
||||||
like a great wagon.
|
like a great wagon.
|
||||||
Drive slowly. Some of us
|
Drive slowly. Some of us
|
||||||
walking alongside are lame.
|
walking alongside are lame.
|
||||||
B L A S P H E M Y A N D T H E My soul keeps whispering, “Quickly,
|
BLASPHEMY AND THE
|
||||||
|
My soul keeps whispering, “Quickly,
|
||||||
be a wandering dervish, a salamander
|
be a wandering dervish, a salamander
|
||||||
sitting in its homefire. Walk about
|
sitting in its homefire. Walk about
|
||||||
watching the burning turn to roses.
|
watching the burning turn to roses.
|
||||||
|
@ -2807,8 +2809,8 @@ ruins and cemetery trees. They
|
||||||
can’t help but fly there. For us
|
can’t help but fly there. For us
|
||||||
this day is friends sitting together
|
this day is friends sitting together
|
||||||
with silence shining in our faces.”
|
with silence shining in our faces.”
|
||||||
C O R E
|
CORE
|
||||||
|
|
||||||
You’re song,
|
You’re song,
|
||||||
a wished-for song.
|
a wished-for song.
|
||||||
Go through the ear to the center
|
Go through the ear to the center
|
||||||
|
@ -2835,7 +2837,7 @@ looking for the center, unable
|
||||||
to find it, draws a blade,
|
to find it, draws a blade,
|
||||||
strikes anywhere.
|
strikes anywhere.
|
||||||
|
|
||||||
W O O D E N C A G E S
|
WOODEN CAGES
|
||||||
I may be clapping my hands,
|
I may be clapping my hands,
|
||||||
but I don’t belong to a crowd of clappers.
|
but I don’t belong to a crowd of clappers.
|
||||||
Neither this nor that, I’m not part
|
Neither this nor that, I’m not part
|
||||||
|
@ -2858,7 +2860,7 @@ I don’t want anything from anybody.
|
||||||
I flow through human beings.
|
I flow through human beings.
|
||||||
Love is my only companion.
|
Love is my only companion.
|
||||||
|
|
||||||
M O R E R A N G E
|
MORE RANGE
|
||||||
We’re friends with one who kills us,
|
We’re friends with one who kills us,
|
||||||
who gives us to the ocean waves.
|
who gives us to the ocean waves.
|
||||||
We love this death. Only ignorance
|
We love this death. Only ignorance
|
||||||
|
@ -2874,11 +2876,12 @@ they’re doing every moment and why.
|
||||||
Submit to love without thinking, as
|
Submit to love without thinking, as
|
||||||
the sun rose this morning recklessly
|
the sun rose this morning recklessly
|
||||||
extinguishing our star-candle minds.
|
extinguishing our star-candle minds.
|
||||||
AYA Z A N D T H E K I N G ’ S One day the king assembled his courtiers,
|
AYAZ AND THE KING'S
|
||||||
|
One day the king assembled his courtiers,
|
||||||
He handed the minister a glowing pearl.
|
He handed the minister a glowing pearl.
|
||||||
“What would you say this is worth?”
|
“What would you say this is worth?”
|
||||||
than a hundred donkeys could carry.”
|
than a hundred donkeys could carry.”
|
||||||
P E A R L
|
PEARL
|
||||||
“More gold
|
“More gold
|
||||||
|
|
||||||
“Break it!”
|
“Break it!”
|
||||||
|
@ -2942,7 +2945,7 @@ through here.
|
||||||
I feel stunned in this abundance,
|
I feel stunned in this abundance,
|
||||||
crushed and dead.
|
crushed and dead.
|
||||||
|
|
||||||
H A L L A J
|
HALLAJ
|
||||||
Hallaj said what he said and went to the origin
|
Hallaj said what he said and went to the origin
|
||||||
through the hole in the scaffold.
|
through the hole in the scaffold.
|
||||||
I cut a cap’s worth of cloth from his robe,
|
I cut a cap’s worth of cloth from his robe,
|
||||||
|
@ -2967,7 +2970,7 @@ has decided to wear me home!”
|
||||||
A little part of a story, a hint.
|
A little part of a story, a hint.
|
||||||
Do you need long sermons on Hallaj?
|
Do you need long sermons on Hallaj?
|
||||||
|
|
||||||
T H E S O U R C E O F J OY
|
THE SOURCE OF JOY
|
||||||
No one knows what makes the soul wake up
|
No one knows what makes the soul wake up
|
||||||
so happy! Maybe a dawn breeze
|
so happy! Maybe a dawn breeze
|
||||||
has blown the veil from the face of God.
|
has blown the veil from the face of God.
|
||||||
|
@ -2986,7 +2989,7 @@ Shams sails down clods of dirt
|
||||||
from the roof, and we take jobs
|
from the roof, and we take jobs
|
||||||
as doorkeepers for him.
|
as doorkeepers for him.
|
||||||
|
|
||||||
R O S E S U N D E R F O OT
|
ROSE UNDER FOOT
|
||||||
The sound of salaams rising as waves
|
The sound of salaams rising as waves
|
||||||
diminish down in prayer,
|
diminish down in prayer,
|
||||||
hoping for some trace of the one
|
hoping for some trace of the one
|
||||||
|
@ -3007,18 +3010,19 @@ How to say this to someone who denies it?
|
||||||
The robe we wear is the sky’s cloth.
|
The robe we wear is the sky’s cloth.
|
||||||
Everything is soul and flowering.
|
Everything is soul and flowering.
|
||||||
|
|
||||||
P O E T R Y
|
POETRY
|
||||||
I open and fill with love
|
I open and fill with love
|
||||||
and what is not love evaporates.
|
and what is not love evaporates.
|
||||||
All the learning in books stays put
|
All the learning in books stays put
|
||||||
on the shelf. Poetry, the dear
|
on the shelf. Poetry, the dear
|
||||||
words and images of song, comes down
|
words and images of song, comes down
|
||||||
over me like mountain water.
|
over me like mountain water.
|
||||||
B I R D S O N G F R O M I N S I D E T H E Sometimes a lover of God may faint
|
BIRD SONGS FROM INSIDE
|
||||||
|
Sometimes a lover of God may faint
|
||||||
in the presence. Then the beloved bends
|
in the presence. Then the beloved bends
|
||||||
and whispers in his ear, “Beggar,
|
and whispers in his ear, “Beggar,
|
||||||
spread out your robe. I’ll fill it with gold.
|
spread out your robe. I’ll fill it with gold.
|
||||||
E G G
|
EGG
|
||||||
I’ve come to protect your consciousness.
|
I’ve come to protect your consciousness.
|
||||||
Where has it gone? Come back!”
|
Where has it gone? Come back!”
|
||||||
This fainting is because lovers want so much.
|
This fainting is because lovers want so much.
|
||||||
|
@ -3037,7 +3041,7 @@ like birdsong beginning inside the egg,
|
||||||
like this universe coming into existence,
|
like this universe coming into existence,
|
||||||
the lover wakes and whirls in a dancing joy,
|
the lover wakes and whirls in a dancing joy,
|
||||||
then kneels down in praise.
|
then kneels down in praise.
|
||||||
E A S T E R N M Y S T E R Y
|
EASTERN MYSTERY
|
||||||
I ask for the laughing, unconventional ones,
|
I ask for the laughing, unconventional ones,
|
||||||
even them, to be broken,
|
even them, to be broken,
|
||||||
for blood and sky to become one thing,
|
for blood and sky to become one thing,
|
||||||
|
@ -3054,7 +3058,7 @@ and find those who resemble Shams,
|
||||||
who made Tabriz a source
|
who made Tabriz a source
|
||||||
of Eastern mystery like China.
|
of Eastern mystery like China.
|
||||||
|
|
||||||
N O F L A G
|
NO FLAG
|
||||||
I used to want buyers for my words.
|
I used to want buyers for my words.
|
||||||
Now I wish someone would buy me away from words.
|
Now I wish someone would buy me away from words.
|
||||||
I’ve made a lot of charmingly profound images,
|
I’ve made a lot of charmingly profound images,
|
||||||
|
@ -3086,7 +3090,7 @@ with dignified authority, we are charlatans.
|
||||||
Or maybe just a goat’s-hair brush in a painter’s hand.
|
Or maybe just a goat’s-hair brush in a painter’s hand.
|
||||||
We have no idea what we are.
|
We have no idea what we are.
|
||||||
|
|
||||||
M O S E S A N D T H E S H E P H E R D
|
MOSES AND THE SHEPERD
|
||||||
Moses heard a shepherd on the road praying,
|
Moses heard a shepherd on the road praying,
|
||||||
“God,
|
“God,
|
||||||
where are you? I want to help you, to fix your shoes
|
where are you? I want to help you, to fix your shoes
|
||||||
|
@ -3195,7 +3199,7 @@ how blind that was.
|
||||||
Lovers don’t finally meet somewhere.
|
Lovers don’t finally meet somewhere.
|
||||||
They’re in each other all along.
|
They’re in each other all along.
|
||||||
|
|
||||||
M O R N I N G W I N D
|
MORNING WIND
|
||||||
Wine so bitter all bitterness sweetens,
|
Wine so bitter all bitterness sweetens,
|
||||||
a beautiful face growing old.
|
a beautiful face growing old.
|
||||||
The taste of
|
The taste of
|
||||||
|
@ -3211,7 +3215,7 @@ we’ll stay quiet. Whatever
|
||||||
you have understood of us, go and tell that
|
you have understood of us, go and tell that
|
||||||
to the living,
|
to the living,
|
||||||
what we’ve been hiding from them.
|
what we’ve been hiding from them.
|
||||||
T H E O C E A N ’ S M OT I O N
|
THE OCEAN'S MOTION
|
||||||
Love is an ocean. This wide sky,
|
Love is an ocean. This wide sky,
|
||||||
a bit of foam on that.
|
a bit of foam on that.
|
||||||
Restless as Zuleikha
|
Restless as Zuleikha
|
||||||
|
@ -3222,7 +3226,6 @@ everything would freeze and be
|
||||||
still. Instead,
|
still. Instead,
|
||||||
inorganic grains are entering
|
inorganic grains are entering
|
||||||
plants. Plants enter animals;
|
plants. Plants enter animals;
|
||||||
|
|
||||||
animals enter
|
animals enter
|
||||||
spirit, and spirit sacrifices itself
|
spirit, and spirit sacrifices itself
|
||||||
for one breath
|
for one breath
|
||||||
|
@ -3232,7 +3235,7 @@ winds like a locust swarm its wingrush
|
||||||
toward perfection,
|
toward perfection,
|
||||||
each particle purified
|
each particle purified
|
||||||
in a song of praise for motion.
|
in a song of praise for motion.
|
||||||
I G N O R A N C E
|
IGNORANCE
|
||||||
I didn’t know love would make me this
|
I didn’t know love would make me this
|
||||||
crazy, with my eyes
|
crazy, with my eyes
|
||||||
like the river Ceyhun
|
like the river Ceyhun
|
||||||
|
@ -3261,7 +3264,7 @@ in the ocean
|
||||||
has made me completely content
|
has made me completely content
|
||||||
with ignorance.
|
with ignorance.
|
||||||
|
|
||||||
E Y E S
|
EYES
|
||||||
What is it that sees when vision is clear?
|
What is it that sees when vision is clear?
|
||||||
The core that has no story, has that ever seen anything?
|
The core that has no story, has that ever seen anything?
|
||||||
Surely vision has loyalties.
|
Surely vision has loyalties.
|
||||||
|
@ -3289,7 +3292,7 @@ When you feel your lips becoming infinite
|
||||||
and sweet, like a moon in a sky,
|
and sweet, like a moon in a sky,
|
||||||
when you feel that spaciousness inside,
|
when you feel that spaciousness inside,
|
||||||
Shams of Tabriz will be there too.
|
Shams of Tabriz will be there too.
|
||||||
T H E G R A N A R Y
|
THE GRANARY
|
||||||
Sufi masters are those whose spirits existed
|
Sufi masters are those whose spirits existed
|
||||||
before the world. Before the body,
|
before the world. Before the body,
|
||||||
they lived many lifetimes. Before seeds
|
they lived many lifetimes. Before seeds
|
||||||
|
@ -3334,7 +3337,7 @@ an ant that’s gotten into the granary,
|
||||||
ludicrously happy, and trying to lug out
|
ludicrously happy, and trying to lug out
|
||||||
a grain that’s way too big.
|
a grain that’s way too big.
|
||||||
|
|
||||||
T H E G A Z I N G - H O U S E
|
THE GAZING-HOUSE
|
||||||
On the night when you cross the street
|
On the night when you cross the street
|
||||||
from your shop and your house to the cemetery,
|
from your shop and your house to the cemetery,
|
||||||
you’ll hear me hailing you from inside
|
you’ll hear me hailing you from inside
|
||||||
|
@ -3368,7 +3371,7 @@ shall we call this new kind of gazing-house
|
||||||
that has opened in our town where people
|
that has opened in our town where people
|
||||||
sit quietly and pour out their glancing
|
sit quietly and pour out their glancing
|
||||||
like light, like answering?
|
like light, like answering?
|
||||||
T H E G U E S T H O U S E
|
THE GUEST HOUSE
|
||||||
This being human is a guest house.
|
This being human is a guest house.
|
||||||
Every morning a new arrival.
|
Every morning a new arrival.
|
||||||
A joy, a depression, a meanness,
|
A joy, a depression, a meanness,
|
||||||
|
@ -3395,7 +3398,7 @@ until it’s changing to gold.
|
||||||
Your loving doesn’t know majesty,
|
Your loving doesn’t know majesty,
|
||||||
until it knows its helplessness.
|
until it knows its helplessness.
|
||||||
|
|
||||||
T H E O N E T H I N G YO U M U S T D O
|
THE ONE THING YOU MUST DO
|
||||||
There is one thing in this world you must never
|
There is one thing in this world you must never
|
||||||
forget to do. If you forget everything else and not
|
forget to do. If you forget everything else and not
|
||||||
this, there’s nothing to worry about, but if you
|
this, there’s nothing to worry about, but if you
|
||||||
|
@ -3427,7 +3430,7 @@ monial dagger and hammers it into a post for a peg
|
||||||
to hold his dipper gourd. You’ll be wasting valuable
|
to hold his dipper gourd. You’ll be wasting valuable
|
||||||
keenness and forgetting your dignity and purpose.
|
keenness and forgetting your dignity and purpose.
|
||||||
|
|
||||||
T H I S W E H A V E N O W
|
THIS WE HAVE NOW
|
||||||
This we have now
|
This we have now
|
||||||
is not imagination.
|
is not imagination.
|
||||||
This is not grief,
|
This is not grief,
|
||||||
|
|
Loading…
Reference in New Issue
Block a user