2036 lines
29 KiB
Plaintext
2036 lines
29 KiB
Plaintext
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IRIMIAS GIVES A SPEECH
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I am in a state of deep emotion,
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you can imagine, I am confused.
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I am bewildered and shocked.
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Yet I must pull myself together.
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Though right now all I can say is that
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I share in this broken-hearted
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mother's misery
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in a mother's never-ending
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mourning and sorrow
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is the grief of losing the one
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who is dearest to our hearts.
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This tragic event weighs
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us all down with sadness.
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I don't think there's anyone
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who would disagree with me.
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And now the hardest thing is
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with our teeth clenched, to get
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our minds over the heartbreak,
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to defy our tears when our voices fail us.
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For, and I would like to
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call your attention to this:
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Before the police start investigating,
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nothing can be more important for us
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than to reconstruct
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the shocking events,
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which led to the terrible
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death of an innocent child.
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You'd better expect the
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inspectors from town
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to come and make us responsible
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for this terrible event.
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Yes, my friends, they're going to ask us.
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For, to be quite honest,
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with a little caution, care and attention
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we could have prevented it.
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Just imagine this vulnerable creature
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wandering all night long
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in the pouring rain,
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at the mercy of the first passer-by,
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of the first tramp, of anybody.
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She was whipped by the wind, she
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fell an easy prey to the elements,
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and she must have been around here.
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She may have looked in
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through this window and seen
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that you were all drunk and dancing around.
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Don't get me wrong, I don't mean
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to accuse anyone personally,
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I am not accusing the mother,
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who is never going to forgive
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herself for getting up too late
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in the morning of that awful day
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I am not accusing the victim's brother
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nor other members of the family.
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I am not accusing anyone.
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But let me ask you the question:
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Aren't we all guilty?
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You will, of course,
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answer we are innocent.
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But then, what do we call this poor child?
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The victim of the innocent? The martyr
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to the pure? The prey of the blameless?
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No, she's the only innocent one.
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I spent the night turning in
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my bed till I realized that
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not only we do not know how the tragic
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event happened, but we have no knowledge
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whatsoever of what happened exactly.
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I am quite convinced that
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this tragedy was to happen.
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Now you seem to suspect that.
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It is not enough, however, to suspect
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something... things are to be understood.
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And said with no delay.
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You didn't dare mention it to each other,
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but deep down, you knew before coming here
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that the farm was doomed.
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From now on, you'll have to
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let your fate slowly unfold.
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You are slouching around in this decay,
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far away from everything that means life.
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Your plans come to nothing, your
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dreams, still blind, are shattered.
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You expect some miracle
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which will never come.
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But what kind of fate
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are you the victims of?
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Is it the crumbling plaster...
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the roofs without tiles...
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the crumbling walls,
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the sour taste our friend
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Futaki keeps talking about?
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Isn't it the shattered prospects,
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the broken dreams,
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that bends our knees that wears us numb?
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I'm speaking harshly but let us be honest.
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If you felt the farm was ruled by misfortune
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why didn't you try to do something about it?
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You thought a bird in the hand
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is worth two in the bush.
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But this is a coward's way, it is disgraceful
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and careless and it has serious consequences.
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This is called impotence, sinful impotence.
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This is weakness, sinful weakness.
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This is cowardice, sinful cowardice.
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Because, and keep that in your minds -
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it's not just to others we can do
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unforgivable things but also to ourselves.
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And this, my friends, is even more serious.
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Yes, if I think about it,
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all kinds of sins are
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sins against ourselves.
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But, you know, my friends,
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if I think back and see you lying
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half dead on the chairs and tables,
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on top of each other, dribbling, exhausted,
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my heart sinks and I cannot judge you for
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I will never be able to forget this.
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From your panting, snoring and groaning
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I heard your cry for help
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which I have to answer.
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We know each other well.
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I have been keeping my eyes
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wide open for decades,
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I bitterly observe that under the
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thick veil of trickery and deception,
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nothing has changed. Misery
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has remained misery.
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The two extra spoonfuls of food we can have
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only makes the air thinner
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in front of our mouths.
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But I realized what I have
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done so far is nothing.
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A much deeper solution is needed.
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So, using the opportunity,
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I decided to get some people together
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and set up a model farm which
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will ensure a stable living...
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and bind this tiny group of
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the dispossessed together.
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I am creating an island
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where no one is powerless, where everyone
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will live in peace and will feel safe.
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That is why I left for the estate in Almas.
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The main building is in good condition,
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the contract is a simple matter.
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There's one problem...
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no use to try and keep it a secret, money.
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Without a penny the thing is dead.
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Capital is needed for production
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but this is a bit complicated,
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there's no point in going into details.
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And you'll understand that the
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circumstances of our meeting
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made me feel uncertain, whether
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you would be able to do it.
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Whether you would be able to part from
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your little money, the
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result of hard work and
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much difficulty, to realize a sudden plan.
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Think about it...
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Do not decide straightaway.
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But if fate decides that from now
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on we stay together, inseparable:
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Do remember the price that has been paid.
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Do not forget the child...
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who may have had to perish
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to make our star rise.
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Who knows, my friends?
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If it is so...
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life is very hard upon us.
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PERSPECTIVE FROM FRONT
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I told you she shouldn't have
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been taken from the institution.
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I don't know why you brought her out.
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Friends,
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words fail me now that I
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let you go your own way.
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It's hard to describe the way I feel.
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For what could I say
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of your enthusiasm, your generosity,
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for the sake of our common prosperity?
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Of that precious treasure
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I have been given,
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your confidence.
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What else could I say but
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that all this gives me courage
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and lays a responsability on me
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which I would like to accept
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to the best of my ability.
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Your enthusiasm and confidence makes
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me confident and enthusiastic.
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I'm thinking of the future we'll share.
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Goodbye, my friends.
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See you tomorrow at 6 a.m.
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At the estate in Almas.
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Go ahead and think of the future.
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From now on you are free.
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And you were screwed, you mean shitbag!
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Go fuck yourselves! Ungrateful pigs!
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Fuck off!
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Fuck off! Fuck off!
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Fuck off!
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You see? The stuck up person you were.
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- Keep your mouth shut, okay?
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- There you are.
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Stop crowing and go to hell. Just go home.
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- Up and down.
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- Go home, will you?
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I've been saying you
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have to behave properly.
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Now you're through. You can close down.
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Go home, will you?
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Leave me alone.
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My husband was the same,
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didn't know what's right.
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Then where did he end up?
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On a rope in the loft.
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Stop bugging me. Bug yourself.
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Go get your daughters or
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they might go with them.
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They'll never. They're locked up now.
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- Come on, pay for your drinks and go.
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- They won't leave me like Estike did.
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- Go home now.
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- When them from the farm leave, they'll go and dig the ground.
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Go home. Go.
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Go.
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Now, come on, go.
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- You've finished it?
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- Won't leave it for the gypsies.
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"The wind is blowing the clouds,
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behind the sky is burning,
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Give me your little hand, my darling,
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God knows if I'll ever see you again
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Whether I'll close my arms around you,
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whether I'll kiss you, my darling?
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God only knows the day the
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battalion is leaving.
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Whether I'll close my arms..."
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"You're lovely, you're fair, Hungary..."
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Folks. We forgot the doctor.
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Never mind the doctor.
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He would certainly have come but
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I didn't mention it to him.
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Come on, he couldn't even carry himself.
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But he's going to starve now.
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He can't even come to an
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arrangement with the publican.
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Then let him starve to death.
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If you miss him so much, go back for him.
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I haven't seen him for months.
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There's no need to cry over him.
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He's fine, gets pissed every
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day, then goes off to snore.
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I wouldn't mind feeling his
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mother's share in my pocket.
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Are we all here? No one's lagging behind?
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We've done it!
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We have done it, no matter what.
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Now you're well prepared for this new life.
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Come on, Lajos, there
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will be lots more of it.
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How could those poor fellows heat all this?
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Didn't I tell you? We
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should never lose heart,
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we have to have trust until
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we breathe our last.
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Otherwise what would become of us?
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Tell me, what?
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I can imagine.
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You've seen the out-buildings,
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there's about five of them.
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I bet the workshops are going to be there?
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Workshops? What workshops?
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Please be quiet. My husband's asleep.
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He is used to silence.
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All right, all right. We're just talking.
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I think it'll be the other way round:
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We'll get the outbuildings to live in
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and the workshops will be here.
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Won't you keep quiet? No
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one can get any rest here.
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Who was that?
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Leave me alone. It wasn't me.
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Nobody?
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Look,
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I'll agree to anything you
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like, just keep quiet.
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Listen,
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if everyone works hard, I say one month.
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We have great prospects for the future.
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Tomorrow we'll find out what
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Irimias is planning to do.
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By tomorrow.
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Halics was pursued by a
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hunchback with a glass eye.
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And after all sorts of
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trials he ran into the river
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but he started to lose heart,
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every time he came up for air
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the little man hit his
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head with a long stick.
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And each time he shouted
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"Now you'll pay for it."
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The headmaster persuaded a
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man wearing an old suit
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to go with him to a place he knew.
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The man agreed, like
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someone who can't say no.
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He could hardly control himself and
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when they turned into a deserted park,
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he even pushed him to reach a
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bench surrounded by bushes.
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He made the man lie down and he jumped
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on him, kissed him on the neck,
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but in seconds some doctors appeared
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on the walk dressed in white,
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embarrassed, he waved that
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he was going but he started
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to blame the confused little man, by
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then, he seemed to hate his guts.
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The ground trembled under Schmidt's feet.
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As if he was walking on the moors.
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He climbed up into a tree,
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but he felt that it had
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started to sink too.
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He was lying on the bed and tried
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to get the nightgown off his wife.
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But she started to yell, he jumped
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after her, the nightgown was torn.
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She laughed, and the nipples on her enormous
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breasts were like two beautiful roses.
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Mrs Halics was washing Mrs Schmidt's back,
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the rosary on the rim of the tub
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slipped into the water like a snake.
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Mrs Schmidt said she had enough, her
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skin was burning from the scrubbing
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but Mrs Halics pushed her back into the
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bath and went on scrubbing her back,
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she said she was afraid that Mrs
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Schmidt wouldn't be satisfied.
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Mrs Kraner heard a noise from outside
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but she didn't know what it could be.
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She put on a fur coat and
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left for the engine-shed.
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She had almost reached the road
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when she had a bad feeling.
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She turned and saw that
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their house was on fire.
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"The chopped wood. Christ, I left the chopped
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wood out," - she screamed and ran back.
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Kraner was sitting at the table, as
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if nothing happened, quietly eating.
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"Joska, are you crazy?
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The house is on fire!"
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But Kraner didn't move.
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Mrs Schmidt was a bird, flying
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over the clouds, happily.
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She saw that someone down
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there was waving at her.
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She came down a bit and
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heard Schmidt shouting
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"Why didn't you cook anything, you bitch!
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Come down here."
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But she flew over him and
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twittered: Tomorrow.
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You won't starve till then.
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She felt the warmth of the sun on her back,
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she came down a bit.
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She wanted to snatch a bug.
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Futaki's shoulders were
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beaten with an iron bar.
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He couldn't move, he was tied to a tree.
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He stretched out and felt the rope loosen.
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He looked at his shoulders
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and saw a long wound.
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He turned his head, he
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couldn't stand seeing it.
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He was sitting on an excavator, the
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grab was scooping out some earth.
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A man came up to him and said
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"Hurry up, I won't give you any
|
|
|
|
more petrol whatever you say.
|
|
|
|
But it was no use scooping for the earth kept
|
|
|
|
falling back. He tried again but failed.
|
|
|
|
Then he cried...
|
|
|
|
He was sitting at the window of
|
|
|
|
the engine-shed and didn't know
|
|
|
|
whether it was daybreak or
|
|
|
|
evening, it just had no end.
|
|
|
|
He was sitting, not
|
|
|
|
knowing the time of day,
|
|
|
|
nothing had changed outside, morning
|
|
|
|
didn't come, night didn't fall,
|
|
|
|
day was beginning to break or
|
|
|
|
night was beginning to fall.
|
|
|
|
GO TO HEAVEN? HAVE NIGHTMARES?
|
|
|
|
Friends. Words fail me,
|
|
|
|
now that I let you go your own way.
|
|
|
|
It's hard to describe the way I feel.
|
|
|
|
For what can I say
|
|
|
|
of your enthusiasm, your generosity
|
|
|
|
for the sake of our common prosperity.
|
|
|
|
That precious treasure you
|
|
|
|
gave me, your confidence.
|
|
|
|
What else could I say but that all this gives
|
|
|
|
me courage, lays great responsibility on me,
|
|
|
|
which I would like to accept
|
|
|
|
and do the best I can.
|
|
|
|
And that your enthusiasm and confidence
|
|
|
|
makes me confident and enthusiastic.
|
|
|
|
I'm thinking of the future we'll share.
|
|
|
|
Goodbye, friends.
|
|
|
|
See you tomorrow at 6 a.m.
|
|
|
|
At the estate in Almas.
|
|
|
|
Go now and think of the future we'll share.
|
|
|
|
From now on you are free.
|
|
|
|
And yet you were screwed,
|
|
|
|
you mean bold shitbag!
|
|
|
|
Fuck off! You ungrateful pigs!
|
|
|
|
Go fuck yourselves! Fuck off!
|
|
|
|
I'm shit scared, master,
|
|
|
|
how do we get out of this?
|
|
|
|
I'd be surprised if you weren't shitting
|
|
|
|
in your pants. Do you want some paper?
|
|
|
|
This is no fucking joke,
|
|
|
|
it's bloody serious.
|
|
|
|
I wouldn't say I'm bursting with laughter.
|
|
|
|
Stop it, will you?
|
|
|
|
Would you be surprised if
|
|
|
|
I said our time has come?
|
|
|
|
What the hell are you getting at?
|
|
|
|
Listen to old Petrina this time.
|
|
|
|
Look, let's take the first
|
|
|
|
train and get away from here.
|
|
|
|
We're going to get in big trouble
|
|
|
|
if they realize what's going on.
|
|
|
|
Shut up.
|
|
|
|
Don't you see that we're partisans in
|
|
|
|
this hopeless fight for human dignity?
|
|
|
|
Petrina, our time has come.
|
|
|
|
Our time has come... You keep
|
|
|
|
saying this, our time has come.
|
|
|
|
Our time will never come!
|
|
|
|
I had faith and confidence...
|
|
|
|
And here we are.
|
|
|
|
The web - don't you understand?
|
|
|
|
Irimias's nationwide cobweb.
|
|
|
|
Is it getting clear?
|
|
|
|
Where something stirs...
|
|
|
|
Let's go on.
|
|
|
|
You've never seen fog before or what?
|
|
|
|
The horses got away from
|
|
|
|
the slaughterhouse again.
|
|
|
|
Who do you support?
|
|
|
|
Myself.
|
|
|
|
What about you, then?
|
|
|
|
Fine.
|
|
|
|
You haven't changed a bit.
|
|
|
|
What about you?
|
|
|
|
- Still the same.
|
|
|
|
- I thought...
|
|
|
|
Two rum and brandy and a glass of wine.
|
|
|
|
Here you are.
|
|
|
|
Listen, drink this up then you go see
|
|
|
|
Payer and tell him I'm waiting here.
|
|
|
|
Steigerwald.
|
|
|
|
What is it now?
|
|
|
|
We're staying here for tonight
|
|
|
|
but I'd need the car tomorrow.
|
|
|
|
But then I want the money before you go.
|
|
|
|
All right.
|
|
|
|
- And three bean soups.
|
|
|
|
- Okay.
|
|
|
|
With ham.
|
|
|
|
I'm going to dictate.
|
|
|
|
Dear Captain,
|
|
|
|
Eternity
|
|
|
|
lasts forever
|
|
|
|
because it doesn't compare
|
|
|
|
to the ephemeral,
|
|
|
|
the changeable,
|
|
|
|
the temporary.
|
|
|
|
The intensity of light penetrating darkness
|
|
|
|
seems to weaken.
|
|
|
|
...seems to weaken...
|
|
|
|
There is lack of continuity,
|
|
|
|
interruptions,
|
|
|
|
holes...
|
|
|
|
then finally the black nothingness.
|
|
|
|
Then there are myriads of stars so
|
|
|
|
distant, impossible to reach...
|
|
|
|
with a tiny spark in the middle... the Ego.
|
|
|
|
...A tiny spark...
|
|
|
|
Our deeds can be rewarded or punished
|
|
|
|
in eternity, and only there,
|
|
|
|
...punished...
|
|
|
|
because everything has a place,
|
|
|
|
a place far away from reality,
|
|
|
|
where it has its place,
|
|
|
|
where it has always been,
|
|
|
|
...where it has been...
|
|
|
|
where it is going to be,
|
|
|
|
where it is now.
|
|
|
|
The only authentic place.
|
|
|
|
I hope I didn't wake you.
|
|
|
|
You didn't disturb my dream
|
|
|
|
and I hope you never will.
|
|
|
|
- My collaborators.
|
|
|
|
- My name's Petrina.
|
|
|
|
- Horgos.
|
|
|
|
Very nice young man.
|
|
|
|
He can have a nice career.
|
|
|
|
Would you get me something now that...
|
|
|
|
You got me out of bed?
|
|
|
|
What would you like?
|
|
|
|
Don't ask me what I'd
|
|
|
|
like, they don't have it.
|
|
|
|
Get me a glass of plum brandy.
|
|
|
|
Sanyi.
|
|
|
|
Mr. Gundealer...
|
|
|
|
Sports guns...
|
|
|
|
I don't love this job, you know that.
|
|
|
|
We'd better call me Payer.
|
|
|
|
Mr. Payer... I asked you to
|
|
|
|
come here so late because soon
|
|
|
|
I will need rather a lot of explosive.
|
|
|
|
I'm going to think about it.
|
|
|
|
And decide as I see best.
|
|
|
|
And I hope you will do
|
|
|
|
your best to succeed.
|
|
|
|
It's not entirely up to me.
|
|
|
|
But I need to know
|
|
|
|
whether you can give more emphasis to this
|
|
|
|
excellent plan with a so called good start?
|
|
|
|
Certainly.
|
|
|
|
You are a gentleman...
|
|
|
|
Mr. Irimias.
|
|
|
|
Let me ask you something.
|
|
|
|
This something new which is waiting for
|
|
|
|
us after realizing your excellent plan...
|
|
|
|
- Well...
|
|
|
|
- Don't take me for a savior.
|
|
|
|
Regard me as a researcher who investigates
|
|
|
|
why everything is as terrible as it is.
|
|
|
|
Would you like to have dinner with us?
|
|
|
|
No, thank you.
|
|
|
|
Well then, we'll discuss
|
|
|
|
the details another time?
|
|
|
|
I'll see you at the weekend.
|
|
|
|
Well, gentlemen...
|
|
|
|
Sleep well...
|
|
|
|
Look... 25 years ago I could sleep
|
|
|
|
five and a half hours in a row.
|
|
|
|
Since then I've been turning
|
|
|
|
in my bed, half-asleep.
|
|
|
|
Thank you all the same.
|
|
|
|
Our Father
|
|
|
|
who art in heaven,
|
|
|
|
Hollowed be thy name.
|
|
|
|
Thy kingdom come,
|
|
|
|
Thy will be done.
|
|
|
|
On earth
|
|
|
|
As it is in heaven,
|
|
|
|
...Give us peace and bread too...
|
|
|
|
...Power...
|
|
|
|
Amen...
|
|
|
|
PERSPECTIVE FROM REAR
|
|
|
|
I don't understand Irimias.
|
|
|
|
He was one of us. And
|
|
|
|
now, he's like a lord.
|
|
|
|
You simply can't make out what he wants...
|
|
|
|
All the nonsense he said...
|
|
|
|
Bent knees and cries for help!
|
|
|
|
Then threatening with the child...
|
|
|
|
The way he spoke yesterday, I
|
|
|
|
was beginning to believe it.
|
|
|
|
Why the hell did he stir the shit up?
|
|
|
|
If I'd known he wanted the same as
|
|
|
|
us, I'd have saved him the trouble.
|
|
|
|
It's crazy to say that it was my fault.
|
|
|
|
I had nothing to do with that little idiot.
|
|
|
|
Even her name drove me up the wall.
|
|
|
|
Estike, what's that? Is that a name?
|
|
|
|
She's eaten a lot of rat
|
|
|
|
poison and that's it.
|
|
|
|
Perhaps it was better for the poor thing.
|
|
|
|
But what's the whole thing to do with me?
|
|
|
|
He lured us here, to this rundown dump.
|
|
|
|
And we acted like sheep.
|
|
|
|
Meanwhile he slipped away!
|
|
|
|
God knows where he's drinking on our money!
|
|
|
|
A whole year's pay!
|
|
|
|
And I'm flat broke again!
|
|
|
|
Still, if he's back in a minute,
|
|
|
|
are you going to shout at him?
|
|
|
|
- You're the one to say that?
|
|
|
|
- Stop it for a minute!
|
|
|
|
Whose fault is it that I was robbed?
|
|
|
|
Who said that it would be all right?!
|
|
|
|
Who said that "Irimias and Petrina..."?
|
|
|
|
You fucker!
|
|
|
|
Give it back to me or I'll beat you up!
|
|
|
|
Give me my money back!
|
|
|
|
Give me back, you prick!
|
|
|
|
Let's give him two minutes and see
|
|
|
|
what he's got to say for himself!
|
|
|
|
- Are the two minutes up now?
|
|
|
|
- Listen people.
|
|
|
|
What's this all about? That's
|
|
|
|
not the way... Use your heads!
|
|
|
|
Shut up!
|
|
|
|
Here he is. Your savior's here!
|
|
|
|
Do you really think it's my fault?
|
|
|
|
Give me my money back. You hear me?
|
|
|
|
Give it back!
|
|
|
|
I can't believe my eyes! What
|
|
|
|
do you think you're doing?
|
|
|
|
Get lost!
|
|
|
|
It's none of your business! Don't
|
|
|
|
you stick your nose in it!
|
|
|
|
Get away from here! I won't say it again!
|
|
|
|
What's going on here?
|
|
|
|
I want to know what's going on!
|
|
|
|
We thought you wouldn't come.
|
|
|
|
You said you'd be here by 6 in the morning.
|
|
|
|
I do my best to help you.
|
|
|
|
I've had no sleep for three days,
|
|
|
|
I walked hours in the pouring rain,
|
|
|
|
I run from office to office
|
|
|
|
to overcome the obstacles...
|
|
|
|
and you behave like piglets
|
|
|
|
when their dinner is late...
|
|
|
|
What happened to you?
|
|
|
|
- My nose is bleeding.
|
|
|
|
- I can see that. But why?
|
|
|
|
I never expected that from you.
|
|
|
|
From you neither.
|
|
|
|
And we've just started.
|
|
|
|
What's it going to be like later on?
|
|
|
|
Are you gonna stab each other?
|
|
|
|
Sad.
|
|
|
|
Very sad.
|
|
|
|
I'm willing to forget it one more time
|
|
|
|
provided such a thing won't ever happen again.
|
|
|
|
OK, let's get down to it.
|
|
|
|
There is something important
|
|
|
|
I have to tell you.
|
|
|
|
We must postpone our plans
|
|
|
|
related to the farm for a while.
|
|
|
|
Because some people would not appreciate
|
|
|
|
the creation of an enterprise
|
|
|
|
on such shady bases.
|
|
|
|
Their primary objection is
|
|
|
|
the fact that the farm, being almost
|
|
|
|
totally isolated and a long way from town,
|
|
|
|
could hardly be kept under control.
|
|
|
|
Therefore
|
|
|
|
in the present situation, the only
|
|
|
|
way to succeed in our plan is
|
|
|
|
to scatter around the county for a while.
|
|
|
|
Until...
|
|
|
|
these gentlemen get so confused
|
|
|
|
that we can come back here
|
|
|
|
and start working on it.
|
|
|
|
From now on you are special people.
|
|
|
|
For you are helping in a
|
|
|
|
matter in which loyalty,
|
|
|
|
devotion and prudence are
|
|
|
|
absolutely necessary.
|
|
|
|
Our goals are significant
|
|
|
|
beyond themselves.
|
|
|
|
Scattering is just a tactic,
|
|
|
|
you may not be in touch with each other for
|
|
|
|
the moment but I will keep in touch with you.
|
|
|
|
In the meantime, do not believe that we are
|
|
|
|
going to remain passively in the background
|
|
|
|
and wait for things to get
|
|
|
|
better by themselves.
|
|
|
|
What you have to do is
|
|
|
|
to listen to people around you.
|
|
|
|
Views, stories, events which are
|
|
|
|
connected to the matter.
|
|
|
|
Every one of you will need
|
|
|
|
to acquire the ability
|
|
|
|
to distinguish between the
|
|
|
|
good and the bad signs.
|
|
|
|
In other words, between right and wrong.
|
|
|
|
And how are we going to
|
|
|
|
live in the meantime?
|
|
|
|
Don't worry. Don't worry.
|
|
|
|
Everything is prepared,
|
|
|
|
everything is organized.
|
|
|
|
You will all have work to do.
|
|
|
|
And at the beginning you'll get enough money
|
|
|
|
for the basics from our common capital.
|
|
|
|
But let us not waste our time
|
|
|
|
asking unnecessary questions.
|
|
|
|
We are late anyway.
|
|
|
|
We have to start right now, my friends.
|
|
|
|
Go pack your things. Hurry up!
|
|
|
|
Take your things and go.
|
|
|
|
Take the big things first.
|
|
|
|
Come on, move!
|
|
|
|
Kraner, what's the matter with you?
|
|
|
|
Wait, let's stop all this!
|
|
|
|
Give us our money back!
|
|
|
|
You hear me?! Give the money back!
|
|
|
|
The money?
|
|
|
|
Is that what you want?
|
|
|
|
Here, here's your money. Do what
|
|
|
|
you want to do with it. Good luck.
|
|
|
|
A year's hard work.
|
|
|
|
Joska, give the money back.
|
|
|
|
No. Just split it between you.
|
|
|
|
Perhaps it's better.
|
|
|
|
I can see right now that you
|
|
|
|
have no honor or perseverance.
|
|
|
|
Good to know from the start
|
|
|
|
whom I can count on.
|
|
|
|
Your husband may be right, Mrs Kraner.
|
|
|
|
I cannot realize my plans with you.
|
|
|
|
I need people who are at least able
|
|
|
|
to look after their own interests.
|
|
|
|
I've got to go now.
|
|
|
|
Wait!
|
|
|
|
And...
|
|
|
|
the farm will be working?
|
|
|
|
I don't know. Anyway I don't think
|
|
|
|
you're interested in the any longer.
|
|
|
|
Give him the money.
|
|
|
|
I didn't mean that.
|
|
|
|
Now, take the money.
|
|
|
|
This rain, you know, and the long journey...
|
|
|
|
And the cold at night... Don't be mad at us.
|
|
|
|
I don't care but
|
|
|
|
the fact is that you gave up
|
|
|
|
the first time problems arose.
|
|
|
|
Yet the whole thing is based
|
|
|
|
on trust and perseverance.
|
|
|
|
Take the money now!
|
|
|
|
We trust you. Take it.
|
|
|
|
I don't feel like wasting
|
|
|
|
time with your dramas!
|
|
|
|
I'am very disappointed in you...
|
|
|
|
however I'll get over it...
|
|
|
|
I'm going to try and forget
|
|
|
|
this disgraceful event.
|
|
|
|
Mind how you sit there it takes two
|
|
|
|
hours even in this racing car.
|
|
|
|
Button your coats.
|
|
|
|
Put on your hoods and hats.
|
|
|
|
And just turn your backs...
|
|
|
|
to the bright future, or this bloody
|
|
|
|
rain will get all over your faces.
|
|
|
|
The Schmidts, Halicses, Kraners, come on!
|
|
|
|
Futaki, Mr. Headmaster,
|
|
|
|
please wait a minute.
|
|
|
|
What's the matter, you're not coming?
|
|
|
|
Is there a pub here?
|
|
|
|
- We could have a drink.
|
|
|
|
- No.
|
|
|
|
Schmidt and family, you're going to Elek.
|
|
|
|
I've written everything down,
|
|
|
|
who to contact and where.
|
|
|
|
There you'll get work and a place to live.
|
|
|
|
And what work is there?
|
|
|
|
It's a butcher's.
|
|
|
|
Plenty to do!
|
|
|
|
You can serve the customers.
|
|
|
|
Now the Kraners.
|
|
|
|
You ask for Istvan Kalmar in Keresztur.
|
|
|
|
Listen carefully, it's not written down.
|
|
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There's a street before the church.
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On the right.
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You go down that street until you see the
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Ladies fashion sign. That's Kalmar's house.
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Tell him
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D鰊ci has sent you, he may
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have forgotten my real name.
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He has a room for laundry at
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the back where you'll stay.
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- Is that clear?
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- Yes. D鰊ci.
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A street after the church
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and there's a sign...
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Right. You, Halics...
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You go to the presbytery of Postelek.
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- Ask for Gyivicsan, the parish priest.
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- Gyivicsan...
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There's plenty of church wine there.
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And you can clean the church
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and do the cooking for the three of you.
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Here's a thousand forints per head
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if anything comes up.
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But don't waste a penny.
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And don't forget what
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you're supposed to do.
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I think all's clear. We'd like to thank
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you for what you've done for us.
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You don't have to say thank you.
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I'm only the servant of a great cause.
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So remember what you have to do.
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And take good care, you
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know we worry for you...
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Take care of yourselves.
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Listen,
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you sit up there...
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and we'll take you to the Streber.
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We'll pick you up in an hour and
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we'll talk everything over.
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Okay.
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Futaki.
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Don't worry about me. I
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know where I'm going.
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I could find a job as a watchman.
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You'd be better off doing something else.
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What? No way to come to
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terms with you today?
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Come to Steigerwald's by eight
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and we'll talk it over there.
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All right, I'll do it your way. Here...
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A thousand forints.
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Buy yourself some lunch at least.
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Futaki is the biggest sucker I've ever met.
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What did he think? That he'd
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reached the promised land?
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What did the poor devil expect?
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JUST TROUBLE AND WORK
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Leave out the part about eternity.
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"Though I don't believe it's right
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to put such things down in writing,
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hovever, as a token of my willingness,
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I am following your instructions.
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It has never escaped my attention that you
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encouraged me to be open in all circumstances.
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No doubts can be had on my peoples' skills.
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I hope I could convince
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you of this yesterday.
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It is important to repeat because other
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conclusions could be drawn from this plan.
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I will be the only one to
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keep in touch with my people.
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Anything else would lead to
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complete failure" etc, etc...
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- I think it's alright.
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- Then we leave it at that.
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Mrs Schmidt...
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Type it in.
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Instead of a stupid female with big tits
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you write... mentally immature person, who
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mostly emphasizes her female character.
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And what about "bloody whore"?
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Could be a "lady of easy virtue"
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or a "woman of low morals".
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We'd better write a "woman selling
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her body without any qualms".
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Okay.
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- Finished?
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- Yeah.
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"She went to bed with anyone and everyone, and
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if she didn't that was only by accident."
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She's a paragon of conjugal infidelity.
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Finished?
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Instead of "a stench created by the mixing
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of cheap Cologne with some putrid smell"...
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"She attempts to relieve her unpleasant
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body odour in an unusual way."
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"Mrs Kraner..." Write it.
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"A loud-mouthed gossip"
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should be replaced with...
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"indiscreet transmittor of rumours".
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- And instead of "a fat sow"?
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- Leave that in.
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- We shouldn't.
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- Then put "big".
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- "Overweight".
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- Okay.
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- Can we leave Mrs Halics?
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- Sure.
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And what about "wrinkled
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worm, filled with alcohol"?
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"Elderly alcoholic, short of stature".
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"Clumsy clown. Dull inertia,
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blind stumbling around..."
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- We could leave that out.
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- Okay.
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Let's go on.
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Schmidt.
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What's the meaning of "a cross of crude
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insensitiveness and insignificant emptiness,
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in an abyss of uncontrollable darkness."?
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"Hopeless stupidity, inarticulate
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moaning, desperate existence,
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crippled paralysing worry..."
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OK, write this:
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"His dwarfed understanding and
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his submissive attitude to...
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authority...
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make him specially suited...
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to accomplish the activity in question...
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to a high level."
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The headmaster.
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He must have been out of his mind here.
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Listen to this:
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"If someone who's about
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to drown himself were
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to hesitate at the last moment whether
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to jump or not from the bridge,
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I advise him to remember the headmaster,
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and he will realize
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there's only one option:
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- To jump."
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- Go on.
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"He's like a withered cucumber. In
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mental ability he remains below Schmidt,
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a definite achievement."
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Let's put "appearance:
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Worn down, no abilities".
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- How did the two come together?
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- That's what he wrote.
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"His cowardice he compensates
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with narcissism and conceit.
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He tends to be rather sentimental and maudlin
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as often is the case with onanic guys."
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Then... "weak and sentimental, perverse
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personality, sexually immature."
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Okay, write that.
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As for Kraner, he's a "sloppy
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brute reminding of a buffalo..."
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Strongly-built, worked as a smith."
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"A strongly built smith?"
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"A stupid ass with dull eyes." Go on.
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"The only dangereous one is
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Futaki, but not too much.
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A rebel but more of a coward.
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He could go far. But he can't
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get rid of his obsessions.
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He amuses me. He's the one
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I can surely count on.
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- So?
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- Leave it.
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No. Write.
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"Dangerous but can be of use.
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Cleverer than the others. Lame."
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- Is that all?
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- Yeah.
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Then sign his name. Irimias.
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Okay.
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- Is it still raining?
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- Yes.
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They shook hands outside the gate
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- How are you leaving?
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- Bus.
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Okay. Bye then, said the head clerk.
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Nice day we had, eh? The other added.
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Yeah, bloody good.
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They shook hands again and parted.
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At home, as they came in, both
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were asked the same question:
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"Difficult day, dear?"
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To which, shuddering and exhausted,
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they could only say, Nothing
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much, the usual, my dear.
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THE CIRCLE CLOSES
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During the thirteen days...
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I spent in hospital...
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Mrs Kraner...
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didn't misbehave...
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again...
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Everything is exactly as...
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I left it.
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Neither of them dares...
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leave the house.
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They must be...
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lying on their beds, snoring...
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or staring at the ceiling.
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They haven't a clue...
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that it is this idle...
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passivity...
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that leaves them...
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at the mercy of...
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what they fear most.
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A cosmic revolution.
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My hearing...
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is getting worse.
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The Turks are coming! The Turks are coming!
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The Turks are coming! The Turks are coming!
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I must be crazy!
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I thought the bells rumbling in the sky
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were tolling the knell.
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One morning... at the end of October...
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not long before...
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the first drops...
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of the insufferably long...
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autumn rains...
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fell...
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on the parched...
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cracked ground...
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on the western side of the farm...
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so that...
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the stinking bog...
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makes the tracks...
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impassable...
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until the first frosts...
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and it cuts off the town too...
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Futaki was woken...
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by the sound of bells.
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The closest church was...
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eight kilometers to the South-West...
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on the old Hochmeiss field...
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a solitary chapel...
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|
But not only was no bell there...
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the church tower had collapsed...
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|
during the war...
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