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Scott Richmond 2024-01-23 23:38:42 -05:00
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syllabus.md
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@ -96,13 +96,13 @@ This is a reading-heavy and reading-forward course. The attachment here is to th
* _Screening_: Dziga Vertov, _Man with a Movie Camera_ (USSR, 1929, 68 min.) * _Screening_: Dziga Vertov, _Man with a Movie Camera_ (USSR, 1929, 68 min.)
#### Week 3: The culture industry and the critique of instrumental reason, 2024-01-24 #### Week 3: The culture industry and the critique of instrumental reason, 2024-01-24
* Guides TBD. * Guides Min, Celina.
* Max Horkheimer and Theodor Adorno, "The Concept of Enlightenment" and "Enlightenment as Mass Deception: The Culture Industry," from _Dialectic of Enlightenment_ * Max Horkheimer and Theodor Adorno, "The Concept of Enlightenment" and "Enlightenment as Mass Deception: The Culture Industry," from _Dialectic of Enlightenment_
* Theodor Adorno, "On the Fetish Character in Music and the Regression of Listening," from _The Culture Industry_ * Theodor Adorno, "On the Fetish Character in Music and the Regression of Listening," from _The Culture Industry_
* _Musical listening_: some Western art and pop music: Bach, Beethoven, Glass, Lucier; Donna Summer, Lady Gaga, Chapell Roan (approx. 90 minutes, with discussion) * _Musical listening_: some Western art and pop music: Bach, Beethoven, Glass, Lucier; Donna Summer, Lady Gaga, Chapell Roan (approx. 90 minutes, with discussion)
#### Week 4: Politics and the unconscious, 2024-01-31 #### Week 4: Politics and the unconscious, 2024-01-31
* Guides TBD. * Guides Alex, Emily.
* Jacques Lacan, the Mirror Stage essay, from _Écrits_ * Jacques Lacan, the Mirror Stage essay, from _Écrits_
* Jean-Louis Baudry, "Ideological Effects of the Basic Cinematographic Apparatus," _Film Quarterly_ 28.2 (1974-75) * Jean-Louis Baudry, "Ideological Effects of the Basic Cinematographic Apparatus," _Film Quarterly_ 28.2 (1974-75)
* Laura Mulvey, "Visual Pleasure and Narrative Cinema," _Screen_ 16.3 (1975) * Laura Mulvey, "Visual Pleasure and Narrative Cinema," _Screen_ 16.3 (1975)
@ -111,7 +111,7 @@ This is a reading-heavy and reading-forward course. The attachment here is to th
* _Screening_: Howard Hawks, _Gentlemen Prefer Blondes_ (USA, 1953, 91 mins.) * _Screening_: Howard Hawks, _Gentlemen Prefer Blondes_ (USA, 1953, 91 mins.)
#### Week 5: The cinematic body, 2024-02-07 #### Week 5: The cinematic body, 2024-02-07
* Guides TBD. * Guides Anny, Aza.
* Roland Barthes, "Leaving the Movie Theater," from _The Rustle of Language_ * Roland Barthes, "Leaving the Movie Theater," from _The Rustle of Language_
* Frantz Fanon, "The Fact of Blackness," from _Black Skin, White Masks_ * Frantz Fanon, "The Fact of Blackness," from _Black Skin, White Masks_
* Stevens Shaviro, "Film Theory and Visual Fascination," from _The Cinematic Body_ * Stevens Shaviro, "Film Theory and Visual Fascination," from _The Cinematic Body_
@ -123,7 +123,7 @@ This is a reading-heavy and reading-forward course. The attachment here is to th
* Wayne Booth, et al., _The Craft of Research_, selections * Wayne Booth, et al., _The Craft of Research_, selections
#### Week 7: More film theory: Kyle Stevens, 2024-02-28 #### Week 7: More film theory: Kyle Stevens, 2024-02-28
* Guides TBD. * Guides Saffron, Daniela.
* Robert Warshow, "The Gangster as Tragic Hero" * Robert Warshow, "The Gangster as Tragic Hero"
* Stanley Cavell, "Must We Mean What We Say?" * Stanley Cavell, "Must We Mean What We Say?"
* Mary Ann Doane, "Ideology and the Practice of Sound Editing and Mixing" * Mary Ann Doane, "Ideology and the Practice of Sound Editing and Mixing"
@ -138,7 +138,7 @@ This is a reading-heavy and reading-forward course. The attachment here is to th
* Zoom visit from Kyle Stevens (Appalachian State University) * Zoom visit from Kyle Stevens (Appalachian State University)
#### Week 9: The material spectator: Caetlin Benson-Allot, 2024-03-13 #### Week 9: The material spectator: Caetlin Benson-Allot, 2024-03-13
* Guides TBD. * Guides Veronica, Orrin.
* Stuart Hall, "Encoding/Decoding" * Stuart Hall, "Encoding/Decoding"
* Eve Kosofsky Sedgwick, "Paranoid Reading and Reparative Reading" * Eve Kosofsky Sedgwick, "Paranoid Reading and Reparative Reading"
* Vivian Sobchack, "The Scene of the Screen" * Vivian Sobchack, "The Scene of the Screen"
@ -151,7 +151,7 @@ This is a reading-heavy and reading-forward course. The attachment here is to th
* Zoom visit from Caetlin Benson-Allott (Georgetown University) * Zoom visit from Caetlin Benson-Allott (Georgetown University)
#### Week 11: The subject in technology: Damon Young, 2024-03-27 #### Week 11: The subject in technology: Damon Young, 2024-03-27
* Guides TBD. * Guides Cailin, Kat.
* Sigmund Freud, "A Child is Being Beaten," _International Journal of Psycho-Analysis_ 1 (1920) * Sigmund Freud, "A Child is Being Beaten," _International Journal of Psycho-Analysis_ 1 (1920)
* Bela Belasz, "The Close Up" and "The Face of Man," from _Theory of the Film_ (1952) * Bela Belasz, "The Close Up" and "The Face of Man," from _Theory of the Film_ (1952)
* Michel Foucault, "The Gay Science," _Critical Inquiry_ 37.3 (2011) * Michel Foucault, "The Gay Science," _Critical Inquiry_ 37.3 (2011)